Structural Patterns

Job Title: Assistant, Associate or Full Professor – Film and Media Studies

Job ID: 2389
Location: Hunter College
Full/Part Time: Full-Time
Regular/Temporary: Regular

GENERAL DUTIES
Performs teaching, research, and guidance duties in area(s) of expertise as noted below. Shares responsibility for committee and department assignments, performing administrative, supervisory, and other functions as may be assigned.

CAMPUS SPECIFIC INFORMATION
Hunter College’s Department of Film and Media Studies, which combines analytical and theoretical analysis with creative practice using an interdisciplinary approach to media, seeks applications for a scholar and practitioner of new media. The position calls for a candidate who has an understanding of the cultural effects of new media and Internet technologies.

MINIMUM QUALIFICATIONS
Ph.D. degree in area(s) of expertise, or equivalent as noted below. Also required are the ability to teach successfully, interest in productive scholarship or creative achievement, and ability to cooperate with others for the good of the institution.

OTHER QUALIFICATIONS
A record of publications related to computer and Internet technologies and a mix of theory and practice is desirable. Extensive teaching experience is essential. A PhD, M.F.A. or professional equivalent are required.

COMPENSATION
Commensurate with rank, education, accomplishments and experience.

BENEFITS
CUNY offers a comprehensive benefits package to employees and eligible dependents based on job title and classification. Employees are also offered pension and Tax-Deferred Savings Plans. Part-time employees must meet a weekly or semester work hour criteria to be eligible for health benefits. Health benefits are also extended to retirees who meet the eligibility criteria.

HOW TO APPLY
ALL APPLICATIONS MUST BE RECEIVED BY MAIL or E-MAIL. DO NOT APPLY ON LINE AT THIS JOB BOARD.
Include letter of application with teaching/artistic/professional philosophy, curriculum vitae, list of three references sent to:
digitalmediasearch@hunter.cuny.edu
-OR-
Professor
James Roman, Chair
Department of Film and Media Studies
Hunter College, CUNY
695 Park Avenue
New York, NY 10065

CLOSING DATE
Open until filled with review of resumes to begin November 15, 2010.

EQUAL EMPLOYMENT OPPORTUNITY
The City University of New York is an Equal Opportunity Employer which complies with all applicable laws and regulations, and encourages inclusive excellence in its employment practices.

I once had the opportunity to hang out with Daniel Martinez in Tijuana during inSite05, he’s an amazing person, charismatic and smart and generally I’m a fan of what he does and has to say. However this show I hated. It was boring and not compelling at all. The text and numerical figures of human carnage painted on to the walls of the gallery are blunt and sad realities of humanity, but the display fails to do anything, even hit the viewer over the head, which I think is what Daniel is trying to do. Putting this stuff inside of a commercial gallery is simply silly, stupid and claims the viewer as ignorant. If an artist is really going to try to use a commercial gallery as a platform to declare outrage at human carnage, then do something with it. This show does nothing. Or perhaps the gallery sold some of the work and they made $$$.


I kind of liked the hare bomb, could be a compelling symbol in a more interesting installation.

Fun facts by Daniel Martinez

If he had really exploited the fun house mirror or just the fun house as a point of departure, perhaps it could have been a stirring installation. “HUMAN LIFE IS A MISTAKE WE ARE NOT HERE BECAUSE WE ARE FREE WE ARE HERE BECAUSE WE ARE NOT FREE…” BLAH BLAH BLah blah blah…

Last Saturday on my way to Conflux, I stopped through a few galleries in the Bowery / Lower East Side, it’s crazy how many there are now. I don’t have much to say about Tony Oursler, he does what he’s been doing for a long time now. I think the pieces are fun and creative, but have low impact. In his current show at Lehmann Maupin he takes advantage of the new tiny video projectors to create whimsical vignettes.

The presentation is minimal, but the works themselves are not.

I plugged my camera into my computer to download a few recent images and found a ton of images from the past two months that I’ve ignored, so I’m putting them all up today, starting with a few from the Maker Faire at the New York Hall of Science from September 26th.

I’m not sure who would ever want this thing, perhaps a corporate lobby or some entity that wants to make sure that you know you are being watched. This over the top giant mirror had embedded masks with robotic eyes that were being controlled by webcam vision software. Above is the back of the mirror on the left – a whole lot of servos and on the right is the front of the mirror with the masks and the reflection. They were advertising Mondomatrix.

Another cool but pointless interactive sculpture/display – designatum by Muhammad Hafiz. It’s more of a display, because it doesn’t have the creative framework to call it a sculpture. People can type into a keyboard that is wired up to a matrix of LCDs and see their message show up between the various LCDs. The project is titled I felt as if I was at a ITP open house.

ArcAttack at Maker Faire, NYC 2010, pretty cool spectacle.

Amongst my favorite things that I cam across is the “mobile science laboratory” BioBus.

Studying biology inside and outside. The bus is geared up for lots of microscopic lessons.

DNA Extract Party!

And lastly, the cool roof top garden on top of the bus (you can just see the green tips), presents a proposal to the MTA to plant gardens on all NYC buses, or better on all buses world wide, to help the air quality.

If there is a revolution in public practice happening today it is not in a conference at a private art college. Revolutions in practice can not be captured and summarized at a conference. The very notion of Creative Time Summit conference runs against “revolution,” “public,” or “practice” and mutes anything powerful or inspring about these terms, simply because it is curated and caters to a particular audience. In many ways it is a closed session. And the term “Revolutions in Public Practice” reads as hyperbole in the context of an art elite conference.

I was at a round table discussion at Conflux today and afterwards headed to a Lower East Side Bar to meet a bunch of friends who had been at the Creative Time Summit. Once there, I asked people how the Summit had been and it was the usual conference response… what’s the point? why are we here? it was the usual conference scenario… The usual reactionary responses to a conference. And my response to people is do not be duped by the catch terms “revolutions,” “public,” and “practice” as well as “summit” and “creative time.” This is my problem with such a title, it is not revolutionary or public, so please don’t misuse these terms; these terms have already lost so much meaning or power. Most of the people I spoke with didn’t go the second day, rather they tuned in and out from home.

Creative Time Summit is however an exceptional moment to network and hear a summary of evocative creative ideas and briefly exchange perspectives with like-minded individuals.

Sadly people buy into “The Creative Time Summit” as if it is a revolutionary agent, but it’s just another conference, put on by another institution that is far removed from anything revolutionary – whatever meaning that term can carry in relation to contemporary art that is safely nested in Western networks of capital.

The Temporary Travel Office has published a set of artist audio works as audio tours of sites in North America. Last winter, Ryan Griffis contacted me to contribute to the publication by revisiting Dentimundo, a 2005 project commissioned for inSite05 that investigates medical tourism in the form of US citizens traveling to Mexican dentists along the border for dental care that is unaffordable in the United States. For the project, I traveled the length of the U.S./Mexico border and met with dentists and patients to learn about this detail of the border economy and relations.

For the publication “Stories in Reserve,” I revisited all of my old files, photographs, interviews, research and writing to compose a narrated audio work. I recently received the publication that also includes America Ponds by Sarah Kanouse and Siting Expositions:Vancouver by Ryan Griffis, Lize Mogel and Sarah Ross. The publication includes a full color booklet with statements by the artists and translations of the works as necessary along with three CDs for each of the pieces. It’s a great little publication and worth checking out online for free – Volume One.

During our stay in Santiago at the end of July to beginning of August, the curator of “portables” and our host, Ignacio Nieto took us to a community television station and media school, Señal 3 (Signal 3). Located in La Victoria, considered amongst the poorest and most dangerous neighborhoods of Santiago, Señal 3 pirates its signal to the immediate area. The government and police do not intervene, because they are afraid to enter the neighborhood.

A mural in the hallway leading from the television recording studio to the post-production and broadcast studio.

During the visit, I took the opportunity to interview one of the members who established and helps maintain the community TV station. Learning in detail about the history of Señal 3, seeing their outfit and what they have created as well as their mission is absolutely inspiring. The men who established and run Señal 3 grew up together in La Victoria and were once vigilantes of their neighborhood… ignored by the police and government, it was up to the community to keep the peace. The members of Señal 3 earn a living through video production as they maintain a pirate television station that they’ve transformed into a local media center.

The broadcast studio.

Community media has a long history in La Victoria. In the 70s the neighborhood ran pirate radio, in the 80s the local church was given large televisions that would be stationed on various corners of the neighborhood for major soccer games. Señal 3 with it’s current members has been broadcasting since 1997.

The transmitter in a converted alley way between houses.

The television broadcast was once bounced from member home to member home as necessary. However, several years ago, the home next to one of the members was raided by the police. The owner was selling drugs and pimping girls. He spent time in jail and upon returning to his home the neighborhood would not allow him to remain. The members of Señal 3 made a bid for the drug dealer’s home and then transformed it from a drug den and under age brothel to a community media center… they established a home for their transmitter.

The classroom!

Today the house has a dedicated television studio, a mixing and production studio and media classroom. The members were always dedicated to community television production and working with local kids and neighbors to create programming. However a three years ago, Señal 3 was awarded a major grant by a Spanish institution. They used that grant to establish a proper classroom, equipped with high end iMacs and a projector. Each school year, Señal 3 accepts a handful of kids to run a year long media production course that covers video production – shooting, editing and broadcast as well as computer graphics and web programming. Their intention is simply to make these kids into media producers rather than passive consumers.

Soon they will begin fund raising for the next enterprise, a new building where Señal 3’s current home stands. The new building will offer the community better production facilities, larger classroom… a place where kids in the neighborhood will have access to tools that Chile’s educational system will never make available to those of La Victoria.

Since returning from Chile a couple weeks ago, I’ve been assembling the project site for Miracle of Chile that questions Milton Friedman’s famous phrase. As part of the project, one may run through a maze that displays Flickr images shot by participants in Chile depicting what they consider to be the Miracle of Chile. Along side of the maze are Twitter entries for Miracle of Chile. It is through these entries that I learned that 33 miners were trapped on August 5th when a mine collapsed. It’s now been 17 days and it is reported that all 33 miners are alive! Uncle Milton, that’s a true miracle!

Nicolás Spencer N, produced a video documenting the various projects on view as part of the exhibition “portables” curated by Ignacio Nieto for El Museo Nacional de Bellas Artes, Santiago Chile. The video is presented as a component of the exhibition since all of the projects are intended for the public space or for performance.