Structural Patterns

Tomorrow Brooke and I will be riding the food rescue and compost bike around New Haven collecting food for the final event of “Vagaries of the Commons.” Big thanks to curator Sarah Fritchey for lining up participating restaurants and vendors giving us food that would otherwise be thrown away!

11 radio guns from “On Transmitting Ideology” will be on view as part of the exhibition “PLAYING WITH FIRE: Political Interventions, Dissident Acts, and Mischievous Actions” curated by Nicolás Dumit Estévez at El Museo del Barrio from September 6, 2014 – January 3, 2015.

The installation presents eleven wooden guns outfitted with radios broadcasting declarations on freedom and transformation in our society. The broadcast is an audio montage composed from snippets and portions of speeches by Calvin Coolidge, Reagan, Obama, MLK, Enoch Powell, Malcolm X, MacArthur, George Wallace (former governor of Alabama), Barry Goldwater, William F. Buckley and Noam Chomsky – speeches that have helped define contemporary conservative vs liberal ideology. The audio montage is available online: http://ambriente.com/ideology/

In 2012, as I worked on an installation for the New York Hall of Science titled “a geography of being | una geografia de ser,” I enlisted the help of undocumented immigrant activists Cesar and Vishal. I asked them to help me conceptualize a video game that would portray some of the experiences commonly felt by immigrants brought to the U.S. as children. We met a few times over food and had extended discussions. I found some of their experiences and observations so enlightening that I have been meaning to post excerpts from the interviews that others may find helpful and insightful.

Below is one excerpt concerning day to day fears that they have lived with; fears that have been confronted by becoming activists and making their status public.

Other topics include assimlation/de-assimilation, going to college, romantic and familial love. Listen to all the interviews here.

Soon, I’ll be launching an RSS feed featuring illustration of famous news broadcasters such as Barbara Walters. Each news broadcast personality will be set against the icon or colors of the corporation they worked for.

Artist Monica Johnson created the online graphic novel “The Adventures of Dorrit Little” to bring some transparency to the mechanisms of the student debt system in the United States. According to the About page, the average undergraduate student loan debt is $27,000 and the average graduate student loan debt range is $30,000 to $120,000. This country has effectively created an educated population in indentured servitude.

The graphic novel is a quick read, however in eight chapters, the artist presents a concise and clear history of the origins of the student debt system and why it continues to prosper. If you live with student debt it is a very worthwhile read! Go to The Adventures of Dorrit Little by Monica McKelvey Johnson!

Play the NSA Game by choosing which word is a “Terrorist Threat or Harmless Phrase?” an NSA word guessing game. You will see two words, one is listed in the NSA’s watch list, the other is not, can you guess which one is not listed? The two words are set against a blue sky background with puffy clouds, flying birds, green grass and a nice tree. However, every time that you guess wrong a hidden image below the natural landscape is revealed, a dark image of a surveillance society.

Four wrong guesses and the natural landscape is entirely gone, instead a Google search window appears with your bad picks filled into the search field… Click search and your IP may now be added to the NSA watch list as you search for key terms on the NSA database.

The project is a second of a series by artist Grayson Earle who a few weeks ago created NSA Haiku Generator that does just what the title describes. With both of these projects the artist is problematizing the fact that the NSA maintains such a list and the list itself. The games portray how inane the list is and contribute to their pointlessness by generating more searches with these terms by anyone playing the games.

See a physical installation by the artist titled “NSA Lights” at the Roosevelt House Public Policy Institute this Saturday, December 14th, 2013 located at 47-49 East 65th Street, New York as part of Hunter’s Integrated Media Arts MFA exhibition.

Today, I attended Suzanne Lacy’s discussion regarding “Between the Door and the Street” which was interesting and would require its own post. Following the discussion, I went for a quick stroll through the museum and discovered Valerie Hegarty’s “Alternative Histories” – three installations in the period rooms. The Brooklyn Museum’s period rooms have always struck me as precious, spaces that remain intact for the visiting tourist to enjoy, so it was a real surprise to see that the museum would allow a contemporary artist to intervene upon these rooms. It’s particularly surprising as the installations are critical of the history portrayed in the period rooms. Valerie Hegarty tears away at the pristine nature of these rooms that reflect early U.S. Puritanism and a humble nobility, by presenting rooms that are in decay, crows or woodpeckers have entered the rooms and tear away at the objects. The rooms effectively bring to question the heroism of early U.S. history and remind us of the horror that early settlers brought to Native Americans and the natural landscape.

I recently re-visited this very important mockumentary from 1978 and need to make a note of it. “Agarrando Pueblo (aka The Vampires of Poverty)” was shot in Cali, Colombia, 1978 and is a satiric mockumentary critiquing the popularity of documentaries capturing Latin American poverty in the 1970s. Mayolo and Ospina coined the term “pornomiseria” or “pornography of misery” in reference to the objectification of poverty in Latin America for Eurocentric audiences.

The director and cameraman move quickly around the city requesting a taxi driver to take them to spots where they can capture poor children, crazy people and whores. The directors have a recipe of necessary vignettes to compose the documentary. When pedestrians confront the film makers they dismissively tell them that it’s to inform the world or that they don’t understand what this film is about. At one point the director is filmed some cocaine in his hotel bathroom between shots.

The film is available on Vimeo.

In August, Brooke and I had lunch at the Turntable Cafe located in old railroad yards of Helsinki. We were primarily doing research regarding urban composting and gardening. These railroad yards had been abandoned and in 2012, one of the railway turntables was transformed into a greenhouse and rebranded as Turntable, an experiment in urban gardening. During the summer months, every Friday lunch is available at Turntable and the food that is served is made from what is grown at the garden. Turntable is a great example of industrial wasteland being transformed into a productive area by a small group of people. The food was delicious and inexpensive.

The greenhouse built around the turntable i-beams can easily be deconstructed. I found more information regarding Turntable on the portfolio site of Paiva Raivio, one of the artists who collaborated on the transformation of the railway turntable in to the garden and cafe, she states

Turntable is an urban garden, cafe, greenhouse and an open, public space situated in Pasila´s historical railway yard. It was set up by Dodo´s activists: Jaakko Lehtonen, Kirmo Kivelä, Joseph Mulcahy and myself.

The spot is where Dodo´s (an environmental NGO based in Helsinki) urban farming movement begun when gardeners took over a wasteland in 2009. In 2012 we transformed Turntable into an urban farming test lab and source for learning and inspiration. During it´s first year in action Turntable has offered various workshops, events and locally grown food in the Turntable-cafe. The garden also has a beehive, dry toilet, composts, cob oven and solar panels to produce energy.

Go to Paivi Raivio’s page on Kääntöpöytä / Turntable Urban Garden to read more and see photos.

Terri Smith, the director of Franklin Street Works, a not for profit art space in Stamford CT, invited EXCESS NYC to Stamford for the city’s first Art Walk. The food rescue and composting bike was installed at an empty store front in downtown Stamford along with a poster installation that reveals some of the realities underlying EXCESS. And for a one day event on Saturday June 15th, the bike circulated downtown Stamford to collect discarded edible food that was eaten at a picnic in Franklin Street Works’ backyard.

The big food collection occurred as EXCESS happened to ride into the Bedford Street farmer’s market as the vendors were breaking down. We went from vendor to vendor and asked if they had food that they would be throwing away. One vendor invited us to take everything! We got boxes of fruits and vegetables from him, amazing avocados and bell peppers that would not have been good for another day. We made a great avocado spread for the evening. Other fruit and vegetable vendors gave us bags of fruits.

We also collected a small amount of compost. It was all the discarded fruit and seeds that vendors cut up for people to try that were discarded. It appeared that a lot more could have been collected if it wasn’t already packed in trash bags with other garbage.

The few restaurants that had agreed to put food aside for us either forgot or could not contribute. However two businesses entirely came through – Napa and Company at 75 Broad St. Adam the chef is great, understands composting and food waste and was eager to contribute.

Leyla, the owner of Lorca Cafe on Bedford was also entirely on board. Her employees were expecting us with bags of baked goods, a real treat for everyone visiting the gallery. Tomorrow is the final day of the storefront installation.