Structural Patterns

I’m in a group exhibition titled “Ecologías Correlativas” at 319 Scholes curated by chimera+. The exhibition is thematically inspired by Felix Guattari’s “Three Ecologies” and the curators asked me to write a brief statement in response to the essay for the exhibition’s catalog. The following is what I submitted.

I live with a three-year-old boy named Iggy in a household that does not have a television. Iggy has never seen a movie, and yet he recently demanded to be Lightning McQueen for Halloween. Over the past year, he referred to Lightning McQueen and the characters from Disney’s “Cars” merely as “Halloween Cars”. He did not know the names of the individual characters or that they were from a movie. Iggy only knew that he had seen many young children dressed up as “Halloween Cars” last Halloween when he was two. And since then he has observed toys, billboards, posters, books, magazines, lunch boxes, caps, t-shirts, backpacks, folders, bags, stickers, balloons, banners, flags presenting the image of Lightening McQueen or some other character from “Cars”. And then he visited his cousins in Connecticut, two boys, ages three and five that live with a 36-inch television that presents hundreds of cable channels. They regularly log extended periods of time in front of this television. Since that visit, he knows the name Lightning McQueen and would like to know the names of other characters, particularly the tow truck. He has developed a small obsession with “Cars”, a movie he has never seen. From the moment of conception onward, we are all subject to the phantasmagoria of commodity capitalism. It swirls all around us, captivates our imaginations, seduces our senses and consumes years of our lives. At times it can be stimulating and good, but for the most part it is noise, bad noise, not the type of noise that takes you on a voyage, rather the type of noise that conjures ambivalence.

Currently, my partner and I are learning about schools for our son. Iggy is two years from kindergarten, however New York City is over saturated with children, so a parent must inform oneself as early as possible. There are not enough schools to properly serve kids and it is getting worse every year. I have recently learned a very important term regarding schooling – “entry point”. There are primary entry points to school – these are the years of a child’s life when there are the most seats available to gain entry into a school. A primary entry point into public schools is Pre-K – age 4. According to one friend younger siblings of kids already attending a given school largely take that entry point. So the next large entry point, because a class or two are added is kindergarten at which point in the public school system Iggy is entitled to a seat in his school district. Of course the problem then becomes overcrowded classrooms and poor learning environments, not to mention the goal to keep moving the kids along through examination and exam training.

Besides the general public school system, there are charter schools and private schools. Both charters and private schools proclaim small classes, individual attention and alternative methods to various degrees. Private schools near my home range from $25k-$30k per year for pre-k through elementary school. Charter schools are publicly financed but independently run and free to experiment in classrooms. I believe that charter schools prosper through the financial and personal intervention of parents. Generally, I do not believe that a low-income parent has the means to financially or personally intervene in a child’s school. I may be mistaken, but I tend to consider charter schools as the privatization of the public school system.

To a large extent I agree with Guattari’s “Three Ecologies”. Remarks against Integrated World Capitalism (IWC) resonate with me. I agree that

(Confronting IWC) will not come about through centralized reform, through laws, decrees and bureaucratic programs, but rather though the promotion of innovatory practices, the expansion of alternative experiences centered around a respect for singularity, and through the continuous production of an autonomizing subjectivity that can articulate itself appropriately in relation to the rest of society.

However, I am left wondering how bourgeois must we become to afford our son a good education. An education that will help provide the weapons to defend himself against the phantasmagoria of commodity capitalism through critical thinking and a nuanced perception of our society.

Occupy Wall Street, October 5th 2011, Labor March. Iggy protesting on my shoulders. Photographed by Valerie Tevere

Last Saturday, women contained within police orange netting were pepper sprayed. The women were entirely contained, did not present a danger to anyone, were not violent and were pepper sprayed. This can not be ignored – PROTEST TODAY AT 5:30PM ONE POLICE PLAZA

Bill de Blasio believes that the government can decide what is viable free speech and what is not. de Blasio feels that he knows what messages may be censored and which may be allowed to remain in the public space. A couple years ago de Blasio demanded the removal of anti-abortion billboard and stated the following “There should never be a law prohibiting this sort of sign, Mr. de Blasio said, ‘but to have a serious debate, to have people express their outrage, and then to have a private owner of the advertising space decide that it was ultimately not appropriate, that to me is a functioning democracy.'” Read the NYTimes article.

Today the UN Assembly gathers in NYC and I comfortably sit in my office at 68th and Lexington after dodging through stand still traffic while police vehicles weaved through… all for a series of limos with international flags. If you’ve got a limo, get a flag… traffic will part for you. In preparation for the UN members’ visit Two Peoples One Future paid for posters throughout the subway system presenting Israelis and Palestinians beneath these words: “Be on our side — we are on the side of peace and justice.” Local politicians protested and now the posters are down. Just as who paid for the advertisements is public knowledge, the names of the people who demanded that freedom of speech be censored should be public knowledge. Read NYTimes article.

Now off to Wall Street to visit the protestors at Zuccotti Park, I mean Liberty Plaza.

I’m the one artist without a cart in the exhibition Mobility, however the curators elected to include my “Undocumented Drones” as part of the show. The exhibition looks great, upon entering the gallery, I wished that one of my carts was available for the show, unfortunately they are either disassembled or in another part of the world. The exhibition opens Friday, September 9th and runs through October 17th, hopefully my bots will survive. The images below are a preview, the paint bucket in the first photo is not art.

From left to right: Undocumented Drones, Blender by Hidemi Takagi and Pimp My Piragua by Miguel Luciano

From left to right: SOS Mobile Classroom by Tattfoo Tan and Máximo González’s Changarrito

Consume Love by Atom Cianfarani

Close up of an Undocumented Drone – a series of modified hobby robots that have been enhanced with an additional microcontroller, screen and radio module. Each robot presents a rotoscoped animation until it receives a twitter message with the tag “DREAMers”. Upon receiving the tweet, the animation freezes, the motors are activated and the message or tweet is displayed.

The Undocumented Drones represent a near slave class within the United States that exists for cheap labor and does not have a voice – the undocumented laborers contributing to this country and primarily concerned with providing for the children and family. The twitter tag “DREAMers” alludes to the children of undocumented immigrants, brought to this country at a young age who have grown up in the United States, but may not have a right to higher education or employment. The DREAM Act was introduced a decade ago to create a pathway toward citizenship for undocumented youth. The DREAM Act has never been passed, however many of the young adults who would benefit from it have exposed themselves as undocumented and become activists; they are the DREAMers. Each bot juxtaposes the silent day laborer with the activist offspring.

Alex Villar climbs up a scaffold and breaks into a business

I just came across video documentation of a new public performance by Alex Villar – “Breaking into Business” that he executed as part of the Open City festival in Lublin, Poland. In “Breaking into Business”, he literally performs the concept of “Open City” by walking through the city pushing a scaffold on casters, setting the scaffold below a business window, climbing up the scaffold and into a window. As I watched the video, I kept wondering if all these places had agreed to his visit or what was the reaction within the location as Alex stepped into the building from a second or third story window. Unfortunately, the videographer only follows Villar on the street and we never see the interaction within the building. As is the nature of Alex Villar’s performative work, the focus is on his action, movement and intervention in and through the urban space.

Documentary film maker and colleague Kelly Anderson has just launched a kickstarter campaign for a doc in production titled “My Brooklyn” revolving around urban planning and gentrification in Brooklyn, particularly changes occurring in and around Fulton Mall. Check out the trailer and support the film if you like what you see!

My Brooklyn trailer from Kelly Anderson on Vimeo.

Sci fi has long predicted an army of drones, however today’s NYC Times’ article on Microdones is at once awe striking and fearful. Hear are a few excerpts that rung strongly as I read through the article:

Last summer, fighter jets were almost scrambled after a rogue Fire Scout drone, the size of a small helicopter, wandered into Washington’s restricted airspace.

“There’s a kind of nostalgia for the way wars used to be,” said Deane-Peter Baker, an ethics professor at the United States Naval Academy, referring to noble notions of knight-on-knight conflict. Drones are part of a post-heroic age, he said, and in his view it is not always a problem if they lower the threshold for war. “It is a bad thing if we didn’t have a just cause in the first place,” Mr. Baker said. “But if we did have a just cause, we should celebrate anything that allows us to pursue that just cause.”

One of the smallest drones in use on the battlefield is the three-foot-long Raven, which troops in Afghanistan toss by hand like a model airplane to peer over the next hill.

And here are a few images of the shrinking size of drones:
The highly used Predator Drone, particularly since 9/11.

The Shadow Drone.

And as photographed in the NY Times article the prototype for a hummingbird-like drone.

Of course in more recent critical art practices, setting aside the long history of drones in Science Fiction, there are several works that come to mind, particularly the long standing fictional work of Alex Rivera – Cybracero and the sculptural work “Parasitos Urbanos” of Gilberto Esparza. Although Esparza’s work reflects upon the self-sufficient nature of Mexico City’s street commerce, Rivera’s work points squarely at the de-humanizing aspects of the transnational corporate-military machine. Unfortunately, critical art, does little to stop the growing drone army by the Empire’s military. And we – all tax paying U.S. citizens and non-citizens are contributors.

I don’t know who this performance artist is or who she is protesting against, whether it’s the Colombian government, or multinationals or power in general, but it’s exciting to see (in more ways than one), particularly the street actions, such as the performance on Bolivar’s Monument below.

Eventually she stops dancing and merely sits on the edge of the monument. The video states:

Eventually a police man forced me to step down from the Bolivar’s monument because he felt that my body on the monument’s steps was vulgar and I was ruining the tourist photos. So I continued the action without erotic dancing.

You can see more of artist’s work at: http://www.lafulminante.com or her YouTube channel: http://www.youtube.com/user/LaFulminantexxx

One of the grads, Alex Mallis, in Hunter’s Integrated Media Arts (IMA) program is seeking funding for a film capturing a group of people who feed off discarded food. Support the film via it’s Kickstarter campaign.

“An aging artist, his young assistant, and blind friend arrive by rusted retro car; a Puerto Rican woman and her teenage grandson embark on foot, lead by a rattling grocery cart; a hyperactive twenty-something and his stoned companion leave a Bushwick loft to navigate the subway. Familiar faces and converging philosophies meet to take what others deem unworthy of consumption. The reward of a free and delicious discovery activates a ritual adventure – a night of extraordinary harvest.”
– Alex Mallis, Excerpt from film description on Kickstarter

The fight for public education is just getting started…