Selected Works
 |
VOTEMOS.US ¡México Decide! (2007-08) Spanish language portal to the 2008 US presidential elections that proposes that Mexico get a vote in the US elections. Between Mexico and the United States exists a constant circulation of people, product and capital. Within the U.S. lives an active Mexican population that in 2000 represented 4% of the US labor force. If Mexico could elect the next U.S. president who would it be? Login and vote! | |||||||||||||
 |
Carreta Nagua, Siglo 21 (2007) In the colonial park, Alameda Central located in the historical center of Mexico City, I offer free rickshaw rides. Once the passengers settle into the rickshaw, they watch an animation that tells a tale of immigration, aging and cultural and familial loss. It is an animation based on the current reality of my parents. Carreta Nagua, Siglo 21 is commissioned for the festival TRANSITIO_MX02. | |||||||||||||
 |
El Rito Apasionado (2007) In a hotel room in Connecticut, three Guevarrian Neo-Marxist Latino Terror Revolutionaries seek to help establish a balance toward justice for the crimes committed by the United States of America toward small and poor nation states, cultures and peoples. the video El Ritual Apasionado is commissioned for the exhibition 50,000 Beds. | |||||||||||||
 |
Copa Sonar (2006) Public event at Schlossplatz, Berlin historically a highly politicized site. On July 14th it became site of public sound performance and broadcast. Organized by Marco Barotti, Emanuele Guidi and myself in collaboration with sonambiente, and tesla, five experimental sound groups volunteered to overtake plaza. ap/xxxxx, B Component, the rottt, OLYVETTY, saal-c performed and broadcast via miniFM, visitors received free wine and beer. | |||||||||||||
 |
FALLOUT: What's Left (2005) Drawing from public text submissions to an online repository of personal perspectives on Nicaragua, the installation Fallout at Momenta Art constructs a revisionist history portraying the ebb and flow of Latin American Marxist revolution. The installation features propaganda posters commissioned for the installation from four designers: Isabel Chang, Enrique Sacasa, Ed Adams and David Ulrich and much more. | |||||||||||||
 |
Dentimundo (2005) The best online resource to learn about Mexican border dentistry practice. Get a directory of dentists on the border, listen and download the hot new corrido - 'Corrido al Dentista' and most importantly gather tips on how to be a savvy medical tourist in Mexico. Commissioned for inSite05, Tijuana Calling, curated by Mark Tribe | |||||||||||||
 |
Fallout (2005) Fallout serves as a repository of personal perspectives concerning the enigma of the Nicaraguan national character. Initiated by requesting personal commentary from individuals representing various generations of one family, Fallout is an open archive of informed and thoughtful insights addressing the past, present and future of Nicaragua. Commissioned by turbulence | |||||||||||||
 |
FROM DARKNESS TO DAYLIGHT (2004) is a video installation reflecting on the history and the future of the Bowery neighborhood. The sculptural work is made of a series of large ducts that have been interwoven together and inserted with monitors featuring computer animated characters that reflect different histories of the Bowery. Each animation is based upon a real resident of the Bowery and features recorded interviews by each with the artist. Commissioned by The New Museum | |||||||||||||
 |
Public Broadcast Cart (2003) is a shopping cart outfitted with a microphone, amplifier, speakers, miniFM transmitter, and a laptop with a wireless card. The shopping cart is designed to enable any pedestrian to become an active producer of a radio broadcast, braodcasting to the immediate area via FM frequency and to the thing.net's online radio station. | |||||||||||||
 |
Nexum ATM (2003) an interactive video sculpture in the form of an ATM, presents a history of aggressive intervention by the United States toward ten small, poor and globally dispersed countries. Accompanying the physical ATM is the NEXUM ATM website. The site is an informational depository to contest the actions of the Bush administration by presenting information and links toward civil mobilization. | |||||||||||||
 |
Vagamundo (2002) is an online and mobile cart project for street display. The project is composed of a video game that parallels the plight of undocumented immigrant labor in New York City. | |||||||||||||
 |
audiophile (2001) remixes of the sounds of the city, from Managua, Nicaragua to Mexico City to Manhattan. The sounds made available for downloading represent an investigation of the urban landscape with layers of electronic composition. | |||||||||||||
 |
Cargo Load (1999) a sculptural vehicle designed for public performance and display, calls to question the burden of modern technologies upon the individual | |||||||||||||
 |
U.S. Authorities Say..., (1999) edited audio recordings from news accounts in 1999 during U.N. bombings in Yugoslavia and Iraq. | |||||||||||||
 |
The Evolution of Utopia (1998) interactive sculpture illustrating utopian ideals of three periods in Western History | |||||||||||||
Ricardo Miranda Zúñiga :: 302 Bedford Avenue PMB 91 :: Brooklyn, NY 11211 (917) 748-9975 :: | ||||||||||||||