{"id":50,"date":"2007-10-07T22:16:11","date_gmt":"2007-10-08T05:16:11","guid":{"rendered":"http:\/\/www.ambriente.com\/blog\/2007\/10\/07\/carreta-nagua-siglo-21-day-2\/"},"modified":"2007-10-08T23:29:42","modified_gmt":"2007-10-09T06:29:42","slug":"carreta-nagua-siglo-21-day-2","status":"publish","type":"post","link":"https:\/\/www.ambriente.com\/blog\/2007\/10\/07\/carreta-nagua-siglo-21-day-2\/","title":{"rendered":"Carreta Nagua Siglo 21, day 2"},"content":{"rendered":"<p>I had a young crew of three boys to help me assemble the cart through the weekend.  Saturday morning I took a trip with their boss, a Spaniard named Hector who runs a fabrication company that primarily does exhibition production for large media companies such as Sony, but prefers to do production for cultural institutions, they just don&#8217;t pay the bills.  We drove to his shop with a couple of his employees to gather tools and materials.  Returned to <a target=\"_blank\" title=\"Laboratorio Arte-Alameda\" href=\"http:\/\/www.artealameda.inba.gob.mx\/\">Laboratorio Arte-Alameda<\/a> and immediately got to work.  It was a late start and I only had the three guys that day and Sunday.  By the late afternoon the cart began to take shape.  We completed the basic structure, installed the bus chair and resolved a few questions.  In the early evening it began to poor so we stopped to continue on Sunday.<\/p>\n<p><img decoding=\"async\" title=\"Carreta Nagua, Siglo 21\" alt=\"Carreta Nagua, Siglo 21\" src=\"http:\/\/www.ambriente.com\/blog\/images\/2007\/nagua5.jpg\" \/><\/p>\n<p>Discussing the joining of the axle to the steel tubes that would make the primary structure.<\/p>\n<p><img decoding=\"async\" title=\"Carreta Nagua, Siglo 21\" alt=\"Carreta Nagua, Siglo 21\" src=\"http:\/\/www.ambriente.com\/blog\/images\/2007\/nagua6.jpg\" \/><\/p>\n<p>Cleaning up the welds.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I had a young crew of three boys to help me assemble the cart through the weekend. Saturday morning I took a trip with their boss, a Spaniard named Hector who runs a fabrication company that primarily does exhibition production for large media companies such as Sony, but prefers to do production for cultural institutions, [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3,8],"tags":[],"class_list":["post-50","post","type-post","status-publish","format-standard","hentry","category-fine_arts","category-public_art"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/posts\/50","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/comments?post=50"}],"version-history":[{"count":0,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/posts\/50\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/media?parent=50"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/categories?post=50"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/tags?post=50"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}