{"id":1556,"date":"2022-07-13T11:57:04","date_gmt":"2022-07-13T18:57:04","guid":{"rendered":"https:\/\/www.ambriente.com\/blog\/?p=1556"},"modified":"2022-07-13T12:06:32","modified_gmt":"2022-07-13T19:06:32","slug":"review-of-the-linguistic-errantry","status":"publish","type":"post","link":"https:\/\/www.ambriente.com\/blog\/2022\/07\/13\/review-of-the-linguistic-errantry\/","title":{"rendered":"Review of &#8220;The Linguistic Errantry&#8221;"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Linguistic Errantry\" src=\"https:\/\/player.vimeo.com\/video\/719288184?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><figcaption>The Linguistic Errantry by Tansy Xiao<\/figcaption><\/figure>\n\n\n\n<p>Imagine an immersive Boschian landscape rich with metaphoric allusions of surveillance and control, such is artist <a href=\"https:\/\/www.tansyxiao.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Tansy Xiao&#8217;s<\/a> latest creation. The desktop application &#8220;The Linguistic Errantry&#8221; puts the user\/player in a surreal yellow hued environment populated by singing giraffes, floating goldfish, levitating eggs, flying surveillance cameras and a giant broken egg with octopus tentacles dancing about. In a desert-like setting, enclosed by rock cliffs, Marxist monuments stand erect but their heads are 19th century copper and brass diving helmets. A buddha on lotus monument is surrounded by surveillance monitors that show the world itself as captured by the roving surveillance cameras. This world reflects upon &#8220;the totalitarian lockdown in Shanghai.&#8221;<\/p>\n\n\n\n<p>&#8220;The Linguistic Errantry&#8221; is a first person roaming world. Walk past any of the 14 giraffes and you will hear it singing brief notes.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Each giraffe is set to sing a measure constituting 2-4 notes and nonlinguistic lyrics deconstructed from L&#8217;Internationale. When two giraffes collide, they adopt each other\u2019s measure to add to their own array. Giraffe 0 as the only exception, is set to speak \u201cControl \/ Your \/ Soul\u2019s \/ Desire \/ For \/ Freedom\u201d by default, instead of singing\u2014a propaganda phrase from a government official during the totalitarian lockdown in Shanghai, when the whole country entered an Agambenian \u201cstate of exception.\u201d Each word occupies one slot in its array and will be gradually replaced by fragments from L&#8217;Internationale as giraffe 0 encounters the others of its kind.<\/p><cite><a href=\"https:\/\/www.tansyxiao.com\/the-linguistic-errantry\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.tansyxiao.com\/the-linguistic-errantry<\/a><\/cite><\/blockquote>\n\n\n\n<p>As game engines have become more accessible and adopted by artists to create immersive worlds layered with meaning and cultural critique, it is exciting to see Xiao adopt the game platform to create a powerful metaphoric world that easily stirs investigation and reflection in the viewer. As Xiao further describes &#8220;The Linguistic Errantry reimagines the Tower of Babel in a way that manifests the arbitrary nature of history: the consolidation and disintegration of sovereigns, an anticipated revolution to be generated by mere chance, or a parallel universe where nothing ever happens and only entropy reigns supreme.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Linguistic Errantry by Tansy Xiao Imagine an immersive Boschian landscape rich with metaphoric allusions of surveillance and control, such is artist Tansy Xiao&#8217;s latest creation. The desktop application &#8220;The Linguistic Errantry&#8221; puts the user\/player in a surreal yellow hued environment populated by singing giraffes, floating goldfish, levitating eggs, flying surveillance cameras and a giant [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[141,58,7,753,2,802],"tags":[1215,1217,22,1213,1216],"class_list":["post-1556","post","type-post","status-publish","format-standard","hentry","category-animation","category-art-and-activism","category-art_technology","category-contemporary-art","category-critical_perspectives","category-emerging-media","tag-game-engine","tag-immersive-world","tag-new-media","tag-tansy-xiao","tag-the-linguistic-errantry"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/posts\/1556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/comments?post=1556"}],"version-history":[{"count":5,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/posts\/1556\/revisions"}],"predecessor-version":[{"id":1562,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/posts\/1556\/revisions\/1562"}],"wp:attachment":[{"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/media?parent=1556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/categories?post=1556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ambriente.com\/blog\/wp-json\/wp\/v2\/tags?post=1556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}