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	<title>Structural Patterns</title>
	<atom:link href="http://www.ambriente.com/blog/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.ambriente.com/blog</link>
	<description>Reflections on Art, Technology and Society</description>
	<lastBuildDate>Thu, 19 Jan 2012 17:43:23 +0000</lastBuildDate>
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		<title>Public Broadcast Cart in fall 2011 Art Journal</title>
		<link>http://www.ambriente.com/blog/2012/01/19/public-broadcast-cart-in-fall-2011-art-journal/</link>
		<comments>http://www.ambriente.com/blog/2012/01/19/public-broadcast-cart-in-fall-2011-art-journal/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 17:34:56 +0000</pubDate>
		<dc:creator>ricardo</dc:creator>
				<category><![CDATA[art and activism]]></category>
		<category><![CDATA[art_technology]]></category>
		<category><![CDATA[critical_perspectives]]></category>
		<category><![CDATA[fine_arts]]></category>
		<category><![CDATA[net_art]]></category>
		<category><![CDATA[performance art]]></category>
		<category><![CDATA[society_technology]]></category>
		<category><![CDATA[art journal]]></category>
		<category><![CDATA[public broadcast cart]]></category>
		<category><![CDATA[Sarah Kanouse]]></category>

		<guid isPermaLink="false">http://www.ambriente.com/blog/?p=469</guid>
		<description><![CDATA[Sarah Kanouse has published an excellent essay on radio as art practice in the public space. The essay &#8220;Take It to the Air: Radio as Public Art&#8221; is printed in the fall 2011 Art Journal and discusses three different art projects utilizing radio as the primary medium. Following the introduction, Sarah discusses the work of [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.readysubjects.org/" title="Sarah Kanouse" target="_blank">Sarah Kanouse</a> has published an excellent essay on radio as art practice in the public space.  The essay <a href="http://artjournal.collegeart.org/?p=2321" title="Art Journal, fall 2011" target="_blank">&#8220;Take It to the Air: Radio as Public Art&#8221;</a> is printed in the fall 2011 Art Journal and discusses three different art projects utilizing radio as the primary medium.  Following the introduction, Sarah discusses the work of <a href="http://www.jonbrumit.com/" title="Jon Brumit" target="_blank">Jon Brumit</a> and Neighborhood Public Radio, my own <a href="http://www.ambriente.com/wifi/index.php" title="Public Broadcast Cart" target="_blank">Public Broadcast Cart</a> and the work of art collective <a href="http://www.goethe.de/kue/the/pur/lig/enindex.htm" title="LIGNA on Goethe site" target="_blank">LIGNA</a>.  The final wrap up of the essay is quite inspiring:</p>
<blockquote><p>In these projects, radio is a prosthetic technology that transmits the physical world into the space of electronic communications and materializes the vast space of electromagnetic resources into something material and physically apprehensible. In so doing, it forces a confrontation with and contestation of the rules that govern and control the use of both spaces, positioning radio for creative interventions in manifold public spaces &#8211; not only those we inhabit with our bodies, as much of the best public art does, but also those we inhabit with our passions, our excesses, our energies, and our speech. </p></blockquote>
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		<title>&#8220;la Caixa&#8221;: Bank and Cultural Sponsor</title>
		<link>http://www.ambriente.com/blog/2011/12/26/la-caixa-bank-and-cultural-sponsor/</link>
		<comments>http://www.ambriente.com/blog/2011/12/26/la-caixa-bank-and-cultural-sponsor/#comments</comments>
		<pubDate>Mon, 26 Dec 2011 08:05:32 +0000</pubDate>
		<dc:creator>ricardo</dc:creator>
				<category><![CDATA[critical_perspectives]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[CaixaForum]]></category>
		<category><![CDATA[laCaixa]]></category>
		<category><![CDATA[Matadero]]></category>
		<category><![CDATA[vertical garden]]></category>

		<guid isPermaLink="false">http://www.ambriente.com/blog/?p=465</guid>
		<description><![CDATA[The new prime minister of Spain Mariano Rajoy reduced 15 ministries to 13 last week by merging culture and education with sports, and entirely eliminating science. It&#8217;s difficult to imagine a Spain without a Ministry of Culture. This of course is an austerity cut to salvage the Spanish economy. The new minister of culture, education [...]]]></description>
			<content:encoded><![CDATA[<p>The new prime minister of Spain Mariano Rajoy reduced 15 ministries to 13 last week by merging culture and education with sports, and entirely eliminating science.  It&#8217;s difficult to imagine a Spain without a Ministry of Culture.  This of course is an austerity cut to salvage the Spanish economy.</p>
<p>The new minister of culture, education and sports, Jose Ignacio Wert has stated “We will have to do more with less. There will be less culture of the subvention… One of our first priorities will be to develop the patronage law” has quoted by the newspaper El Mundo.</p>
<p>So it appears that if culture is to continue to proser in Spain it will largely be through private sponsorship.  The incoming rightist party PP will in general seek to privatize, cut social spending and allow the markets to prosper…  Once again, Friedman&#8217;s formula for a neoliberal economy will be the solution to Spain&#8217;s economic problems.  Following the collapse of the Lehman Brothers, irresponsibility of banks and the recent economic collapse, I simply can not understand this.  I can understand Spaniards being frustrated by the previous prime minister and the Socialist party&#8217;s inability to make economic reform, but to elect a strongly neoliberal party in its place?</p>
<div class="wp-caption alignnone" style="width: 730px"><a href="http://www.ambriente.com/blog/images/2011/caixa1.jpg"><img alt="&quot;la Caixa&quot; vandalized bank facade" src="http://www.ambriente.com/blog/images/2011/caixa1.jpg" title="&quot;la Caixa&quot; vandalized bank facade" width="720" height="465" /></a><p class="wp-caption-text">Who is the vandal - the bank or those effected by predatory bank loans?</p></div>
<p>During my current stay in Madrid, I am two blocks from a branch of <a href="http://www.lacaixa.com/index_en.html" title="laCaixa bank" target="_blank">&#8220;la Caixa&#8221;</a> &#8211; &#8220;currently the leading savings bank in Spain and the third largest financial entity in the country&#8221; &#8211; according to their website.  Over the last couple weeks, new stickers have appeared on the bank&#8217;s window facade.  Old stickers announce a June 19th demonstration and states &#8220;The plazas and the streets are ours… VIOLENCE IS TO CHARGE 600 EUROS&#8221;.  New stickers declare &#8220;LET IT BE KNOWN, THIS BANK LIES AND STEALS AND THROWS PEOPLE FROM THEIR HOMES&#8221; and links to <a href="http://afectadosporlahipotecamadrid.net/" title="Afectados por la hipoteca Madrid" target="_blank">&#8220;Plataforma Afectados por La Hipoteca Mdrid&#8221;</a> a blog for those effected by Madrid mortgages.  There&#8217;s another sticker not pictured that presents four CEOs with nicknames and their salaries.  Whereas the bank ads on the window state &#8220;Tranquility… that is what I ask of my pension plan…&#8221;</p>
<p>Meanwhile, &#8220;la Caixa&#8221; funds the magnificent <a href="http://obrasocial.lacaixa.es/nuestroscentros/caixaforummadrid/caixaforummadrid_es.html" title="CaixaForum Madrid" target="_blank">CaixaForum Madrid</a> the architecturally amazing cultural and social center that reflects the bank&#8217;s social cause.  It&#8217;s entirely free to visit and features the vertical garden below on the facade of an apartment building across from its entrance.</p>
<div class="wp-caption alignnone" style="width: 730px"><a href="http://www.ambriente.com/blog/images/2011/caixa2.jpg"><img alt="CaixaForum Madrid, Vertical Garden" src="http://www.ambriente.com/blog/images/2011/caixa2.jpg" title="CaixaForum Madrid, Vertical Garden" width="720" height="903" /></a><p class="wp-caption-text">CaixaForum Madrid, Vertical Garden - the social work of the large bank</p></div>
<p>The complexities of the capitalist economy… does this beautiful and &#8220;free&#8221; cultural center make up for the injustice felt by many thousands who are experiencing economic hardship?</p>
<p>What will happen to edgy cultural centers such as <a href="http://www.mataderomadrid.org/" title="Matadero Madrid" target="_blank">El Matadero</a> that is currently publicly funded, when private money is its only lifeline?</p>
<p>Currently the feature exhibitions at CaixaForum are &#8220;Delacroix (1798-1863) and &#8220;The Persistence of Geometry&#8221; featuring a long list of well established artists such as Bruce Nauman, Donald Judd, Dan Graham, Richard Long, Gordon Matta-Clark, Mario Merz, Robert Smithson…  Whereas El Ranchito, the latest program at Matadero Madrid focuses on work by young artists with a social agenda.  Would CaixaForum ever feature the art of a young large collective Todo por la praxis? Or the very difficult work of Sally and Gabriela Gutiérrez Dewar who have worked with squatters to realize their work at El Ranchito?  Or will art work presented at Spanish cultural centers be reduced to safely historicized pieces that exist in the collections of the bank and its board members?</p>
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		<title>Avoid Capital One at All Cost &#8211; NO PROTECTION FROM FRAUD</title>
		<link>http://www.ambriente.com/blog/2011/12/22/avoid-capital-one-at-all-cost-no-protection-from-fraud/</link>
		<comments>http://www.ambriente.com/blog/2011/12/22/avoid-capital-one-at-all-cost-no-protection-from-fraud/#comments</comments>
		<pubDate>Thu, 22 Dec 2011 12:19:22 +0000</pubDate>
		<dc:creator>ricardo</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Capital One]]></category>
		<category><![CDATA[Capital One Bank]]></category>
		<category><![CDATA[capital one fraud]]></category>
		<category><![CDATA[fraud]]></category>

		<guid isPermaLink="false">http://www.ambriente.com/blog/?p=462</guid>
		<description><![CDATA[At this point, we all know that banks are relatively evil. However, in the credit-based economy that we have all contributed to, it&#8217;s difficult to function without a bank, unless of course you&#8217;re prepared to live off the grid; most people aren&#8217;t. On December 8th, I made a withdrawal from a Capital One ATM in [...]]]></description>
			<content:encoded><![CDATA[<p>At this point, we all know that banks are relatively evil.  However, in the credit-based economy that we have all contributed to, it&#8217;s difficult to function without a bank, unless of course you&#8217;re prepared to live off the grid; most people aren&#8217;t.</p>
<p>On December 8th, I made a withdrawal from a Capital One ATM in NYC where I live.  That evening, I boarded a plane to Madrid, Spain with my family.  We arrived in the morning and needed Euros, so I went to an airport ATM in the Madrid airport and withdrew a 100 euros that added up to a $133 dollars.  We went to Madrid due to work and immediately started working.  I did not check my Capital One account for three days due to work.</p>
<p>On the morning of December 12th, I tried to withdraw money from a bank ATM.  My Capital One card told me that I had withdrawn over the limit for the day.  Later that day, when I had a computer available, I checked my Capital One account.  There was fraudulent activity on my account.</p>
<p>On the same day that I withdrew a 100 euros in Madrid that was December 9th, someone in NYC withdrew $500 from my Capital One saving account three times from two different ATMs &#8211; 993 2ND Avenue, New York, NY and 10 East 34th Street, New York, NY.  They also withdrew from my Capital One checking account $303 on December 9th at 993 2nd Avenue.  Capital One did absolutely nothing, although separately I withdrew $133 from an ATM in Madrid, Spain.</p>
<p>On December 12th, when I checked my account, more withdrawals were in process.  Two withdrawals at $500, two withdrawals at $403 and one withdrawal at $503 all from NYC.  I called Capital One, and spoke with someone to stop these withdrawals and was told that nothing could be done because they were in process and I could not file a complaint about them until they were processed.  Meanwhile my account went into the red.</p>
<p>I&#8217;ve dealt with several banks through my life.  And most banks have some security in place to stop withdrawals at the limit, particularly when withdrawals are being drawn via debit card from two different parts of the world.  Meanwhile Capital One allowed $4,112 to be withdrawn on December 9th and on December 12th.  During all this time I am in Spain.  After talking with a representative at Capital One, I&#8217;m told that I must sign an affidavit to have the money from the fraudulent activity put into my accounts.  I can not sign the affidavit because they can not fax it internationally or email it to me.</p>
<p>The following week, a paycheck was direct deposited into my savings account.  I needed to pay my mortgage, so I moved money into my checking account so that I could pay my mortgage.  Unfortunately nearly all the money that I moved went to balancing the negative amount in my checking account due to the fraudulent activity that Capital One did not protect me from.  And then on top of that they took money for overdraft &#8211; $35 three times!  So now, I can&#8217;t sign the affidavit, I can&#8217;t pay my mortgage, I can&#8217;t pay any bills and my credit is going to hell because Capital One sucks!!!</p>
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		<title>Grand Opening of El Ranchito</title>
		<link>http://www.ambriente.com/blog/2011/12/19/grand-opening-of-el-ranchito/</link>
		<comments>http://www.ambriente.com/blog/2011/12/19/grand-opening-of-el-ranchito/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 15:44:30 +0000</pubDate>
		<dc:creator>ricardo</dc:creator>
				<category><![CDATA[art and activism]]></category>
		<category><![CDATA[critical_perspectives]]></category>
		<category><![CDATA[public_art]]></category>
		<category><![CDATA[social_media]]></category>

		<guid isPermaLink="false">http://www.ambriente.com/blog/?p=455</guid>
		<description><![CDATA[The art center, El Matadero in Madrid, Spain inaugurated its latest project &#8211; El Ranchito last Thursday, December 15, 2011. El Matadero is dedicated to contemporary art practices and El Ranchito is a gigantic space (Nave 16) within El Matadero that is dedicated to artistic research, process and social engagement. Brooke and I collaborated with [...]]]></description>
			<content:encoded><![CDATA[<p>The art center, <a href="http://www.mataderomadrid.org/" title="El Matadero" target="_blank">El Matadero</a> in Madrid, Spain inaugurated its latest project &#8211; <a href="http://elranchitomadrid.wordpress.com/" title="El Ranchito" target="_blank">El Ranchito</a> last Thursday, December 15, 2011.  El Matadero is dedicated to contemporary art practices and El Ranchito is a gigantic space (Nave 16) within El Matadero that is dedicated to artistic research, process and social engagement.  Brooke and I collaborated with two artists in Madrid to begin a long-term project titled EXCEDENTES/EXCESS that revolves around food waste in our cities.  Below are images from the final night of preparation for the opening and photos from the media tour on the morning of the opening as well as an image from the opening.</p>
<div class="wp-caption alignnone" style="width: 730px"><a href="http://ambriente.com/blog/images/2011/ranchito01.jpg"><img alt="El Ranchito" src="http://ambriente.com/blog/images/2011/ranchito01.jpg" title="El Ranchito" width="720" height="481" /></a><p class="wp-caption-text">Platform to view exhibition designed by Nerea Calvillo of C+ Architects</p></div>
<div class="wp-caption alignnone" style="width: 730px"><a href="http://ambriente.com/blog/images/2011/ranchito02.jpg"><img alt="El Ranchito" src="http://ambriente.com/blog/images/2011/ranchito02.jpg" title="El Ranchito" width="720" height="481" /></a><p class="wp-caption-text">View from platform of the exhibition El Ranchito</p></div>
<p><div class="wp-caption alignnone" style="width: 730px"><a href="http://ambriente.com/blog/images/2011/ranchito03.jpg"><img alt="André Komatsu" src="http://ambriente.com/blog/images/2011/ranchito03.jpg" title="André Komatsu" width="720" height="481" /></a><p class="wp-caption-text">André Komatsu in discussion with curator Luisa Fuentes Guaza</p></div><br />
André Komatsu employed largely discarded construction materials around El Matadero to create &#8220;Landscapeknowhere – Timeout&#8221;.  I enjoyed getting to now André Komatsu, however, I found his installation to be very formal, not particularly interesting and not in line with the mission of El Ranchito &#8211; research oriented and engaged with social practice.</p>
<p><div class="wp-caption alignnone" style="width: 730px"><a href="http://ambriente.com/blog/images/2011/ranchito04.jpg"><img alt="Zoohaus" src="http://ambriente.com/blog/images/2011/ranchito04.jpg" title="Zoohaus" width="720" height="497" /></a><p class="wp-caption-text">Inteligencia Colectiva constructed &quot;Offfficina en El Ranchito&quot; future admin office for El Ranchito</p></div><br />
<a href="http://www.inteligenciascolectivas.org/" title="Inteligencia Colectivas">Inteligencia Colectiva</a> bases its practice in traveling the world to discover, document and adopt alternative means of construction.  Their mission is to create a public archive of alternative modes of construction.  As part of their residency, they constructed the future administrative space in El Ranchito that will be self-sustaining through a bicycle generator located at the top of the office tower.</p>
<p><div class="wp-caption alignnone" style="width: 730px"><a href="http://ambriente.com/blog/images/2011/ranchito05.jpg"><img alt="Todo por la praxis" src="http://ambriente.com/blog/images/2011/ranchito05.jpg" title="Todo por la praxis" width="720" height="546" /></a><p class="wp-caption-text">A large collective - Todo por la praxis - created a series of practical sculptures from discarded materials</p></div><br />
Aesthetically one of my favorite installations or series of works is by the collective Todo para la praxis.  Of all the resident artists, this group has been perhaps the busiest at designing and constructing.  They have created a series of practical sculptures designed for public use.  Amongst the constructions are a mobile street kitchen, a dining space, a mobile boom box, an info center.  They continue building new things through workshops that they lead.  Soon a children&#8217;s table and workspace will be introduced.<br />
<div class="wp-caption alignnone" style="width: 730px"><a href="http://ambriente.com/blog/images/2011/ranchito06.jpg"><img alt="Todo para la praxis" src="http://ambriente.com/blog/images/2011/ranchito06.jpg" title="Todo para la praxis" width="720" height="475" /></a><p class="wp-caption-text">Public gathering space by Todo para la praxis</p></div></p>
<p><div class="wp-caption alignnone" style="width: 730px"><a href="http://ambriente.com/blog/images/2011/ranchito12.jpg"><img alt="EXCEDENTES/EXCESS" src="http://ambriente.com/blog/images/2011/ranchito12.jpg" title="EXCEDENTES/EXCESS" width="720" height="538" /></a><p class="wp-caption-text">Installation presenting research from the project &quot;EXCEDENTES/EXCESS&quot; concerning food waste in Madrid &#038; NYC</p></div><br />
<a href="http://excedentes-excess.org/" title="EXCEDENTES/EXCESS" target="_blank">&#8220;EXCEDENTES/EXCESS&#8221;</a> is a collaborative project between RICARDO MIRANDA Zuniga Y BROOKE SINGER (NUEVA YORK), JOSE LUIS BONGORE, BEATRIZ MARCOS Y SISSA VERDE and was selected as part of the public call for El Ranchito.  The project  revolves around the large amounts of food going to the dump when there are plenty of people hungry in the cities of New York and Madrid. In NYC the focus has been research and we hope to construct a &#8220;composting bicycle&#8221; in 2012.  In Madrid, the realization of the food rescue and redistribution cart (pictured last in screen documentation) has lead the Madrid group to researching the possibility of establishing a law that would facilitate the collection and redistribution of discarded food that is safe to consume.  A law similar to the Good Samaritan Law in the United States, signed by President Clinton.<br />
<div class="wp-caption alignnone" style="width: 730px"><img alt="EXCEDENTES/EXCESS" src="http://ambriente.com/blog/images/2011/ranchito08.jpg" title="EXCEDENTES/EXCESS" width="720" height="407" /><p class="wp-caption-text">Research archive for the project &quot;EXCEDENTES/EXCESS&quot;</p></div><br />
<div class="wp-caption alignnone" style="width: 730px"><img alt="EXCEDENTES/EXCESS" src="http://ambriente.com/blog/images/2011/ranchito13.jpg" title="EXCEDENTES/EXCESS" width="720" height="510" /><p class="wp-caption-text">Madrid team realized the cart for food redistribution with the help of Todo por la praxis</p></div></p>
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		<title>Interview with Joel Berg, Segment 1 &#8211; On Food Waste</title>
		<link>http://www.ambriente.com/blog/2011/11/12/interview-with-joel-berg-segment-1-on-food-waste/</link>
		<comments>http://www.ambriente.com/blog/2011/11/12/interview-with-joel-berg-segment-1-on-food-waste/#comments</comments>
		<pubDate>Sun, 13 Nov 2011 02:30:09 +0000</pubDate>
		<dc:creator>ricardo</dc:creator>
				<category><![CDATA[art and activism]]></category>
		<category><![CDATA[critical_perspectives]]></category>
		<category><![CDATA[public_art]]></category>
		<category><![CDATA[food reclamation]]></category>
		<category><![CDATA[Joel Berg]]></category>
		<category><![CDATA[New York City Coalition Against Hunger]]></category>

		<guid isPermaLink="false">http://www.ambriente.com/blog/?p=446</guid>
		<description><![CDATA[This past week, Brooke and I met with Joel Berg, director of the New York City Coalition Against Hunger and author of All You Can Eat, How Hungry Is America. We sought out Berg, because we&#8217;re collaborating on a food reclamation project with Spanish artist Jose Luis Bongore for a residency and exhibition at El [...]]]></description>
			<content:encoded><![CDATA[<p>This past week, Brooke and I met with <a href="http://joelberg.net/" title="Joel Berg" target="_blank">Joel Berg</a>, director of the <a href="http://www.nyccah.org/" title="New York City Coalition Against Hunger" target="_blank">New York City Coalition Against Hunger</a> and author of <u>All You Can Eat, How Hungry Is America</u>.  We sought out Berg, because we&#8217;re collaborating on a food reclamation project with Spanish artist <a href="http://www.bongore.com/" title="Jose Luis Bongore" target="_blank">Jose Luis Bongore</a> for a residency and exhibition at <a href="http://elranchitomadrid.wordpress.com/" title="El Ranchito" target="_blank">El Ranchito</a>.</p>
<p>The goal of the project is to introduce mobile carts to food vendors in Madrid where they will place food that will otherwise be discarded as trash.  Due to the high level of unemployment in Spain, dumpster diving is not uncommon.  The desire is to present a system that will facilitate the reclamation of discarded food.</p>
<p>Here in NYC, Brooke and I have been researching food waste from supermarkets and in general the systems in place to salvage food.  Questions we&#8217;ve been asking include: What goes to organization such as City Harvest?  What stores participate in food redistribution?  What becomes landfill leading to methane and greenhouse gas?  So we decided to consult an expert.  Joel Berg has devoted much of his career to eradicating hunger in the United States.  We asked him if food reclamation at the supermarket level is a worthwhile endeavor.  Below is the initial sequence from our interview.  Shortly I will post more edits.</p>
<p><iframe src="http://player.vimeo.com/video/31957663?title=0&amp;byline=0&amp;portrait=0" width="400" height="220" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></p>
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		<title>Ecologías Correlativas at 319 Scholes</title>
		<link>http://www.ambriente.com/blog/2011/10/17/ecologias-correlativas-at-319-scholes/</link>
		<comments>http://www.ambriente.com/blog/2011/10/17/ecologias-correlativas-at-319-scholes/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 03:21:23 +0000</pubDate>
		<dc:creator>ricardo</dc:creator>
				<category><![CDATA[art and activism]]></category>
		<category><![CDATA[art_technology]]></category>
		<category><![CDATA[critical_perspectives]]></category>
		<category><![CDATA[fine_arts]]></category>
		<category><![CDATA[319 Scholes]]></category>
		<category><![CDATA[chimera+]]></category>

		<guid isPermaLink="false">http://www.ambriente.com/blog/?p=442</guid>
		<description><![CDATA[Last Thursday I made it to the opening of Ecologías Correlativas at 319 Scholes curated by chimera+ and was treated to excellent new work. The piece pictured above left the strongest impression on me as I think that it&#8217;s beautiful at many levels. &#8220;untitled slime moulds&#8221; by Dan Baker is a stop motion animation of [...]]]></description>
			<content:encoded><![CDATA[<p><div class="wp-caption alignnone" style="width: 730px"><a href="http://www.ambriente.com/blog/images/2011/ecologies02.jpg"><img alt="untitled slime moulds by Dan Baker" src="http://www.ambriente.com/blog/images/2011/ecologies02.jpg" title="'untitled slime moulds' by Dan Baker" width="720" height="567" /></a><p class="wp-caption-text">untitled slime moulds by Dan Baker is a beautiful animation of mold surviving</p></div><br />
Last Thursday I made it to the opening of <a href="http://319scholes.org/oct-13-%E2%80%93-oct-27-2011-ecologias-correlativas/" title="319 Scholes" target="_blank">Ecologías Correlativas at 319 Scholes</a> curated by <a href="http://chimera-plus.info/" title="chimera+" target="_blank">chimera+</a> and was treated to excellent new work.  The piece pictured above left the strongest impression on me as I think that it&#8217;s beautiful at many levels.  &#8220;untitled slime moulds&#8221; by Dan Baker is a stop motion animation of mold seeking out food and surviving.  The artist set up a backlit mold environment that he documented over an extended period of time.  The final video isn&#8217;t simply a compilation of the stills, but rather the artist pans throughout the environment following the mold as it moves and grows, seeking food or dying.  The animation is beautifully rendered and the manner in which the mold moves and expands appears programmatic.  It brought to mind some of the more beautiful data visualizations that I&#8217;ve seen in different years, however this is a living entity moving in space.  The piece immediately reminded me of Thomas Aquinas&#8217;s writings and his argument of geometry as the language of God.</p>
<p>Although I have mixed feelings about my work in the show, projected in the back room and documented below, I was flattered to be part of a thoughtful and compelling exhibition that thematically stemmed from Félix Guatarri&#8217;s &#8220;Three Ecologies&#8221;.  The beginning of the video <a href="http://ambriente.com/el_rito/" title="El Rito Apasionado" target="_blank">&#8220;El Rito Apasionado&#8221;</a> is available online.<br />
<div class="wp-caption alignnone" style="width: 730px"><a href="http://www.ambriente.com/blog/images/2011/ecologies03.jpg"><img alt="El Rito Apasionado" src="http://www.ambriente.com/blog/images/2011/ecologies03.jpg" title="El Rito Apasionado" width="720" height="439" /></a><p class="wp-caption-text">Rear gallery with &quot;El Rito Apasionado&quot; projected onto rear wall.</p></div><br />
Another piece that I thoroughly enjoyed is <a href="http://migso.net/?p=170" title="Miguel Soares, Place in Time" target="_blank">Miguel Soares &#8220;Place in Time&#8221;</a>&#8230; brilliant!<br />
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<p><a href="http://vimeo.com/2140304">Miguel Soares, Place in Time</a> from <a href="http://vimeo.com/migso">migso</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p>And below is a textual contribution by the Chilean artist Ignacio Nieto.<br />
<div class="wp-caption alignnone" style="width: 730px"><a href="http://www.ambriente.com/blog/images/2011/ecologies01.jpg"><img alt="Ignacio Nieto" src="http://www.ambriente.com/blog/images/2011/ecologies01.jpg" title="Ignacio Nieto" width="720" height="381" /></a><p class="wp-caption-text">Text contribution by Ignacio Nieto</p></div><br />
The exhibition is only up until the 27 of this month and definitely worth the trip.  Gallery Hours: Thursday – Saturday, 2:00pm – 6:00pm, and by appointment, 319 Scholes, Brooklyn, NY.</p>
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		<title>Formulating Subjectivity</title>
		<link>http://www.ambriente.com/blog/2011/10/12/formulating-subjectivity/</link>
		<comments>http://www.ambriente.com/blog/2011/10/12/formulating-subjectivity/#comments</comments>
		<pubDate>Wed, 12 Oct 2011 16:36:09 +0000</pubDate>
		<dc:creator>ricardo</dc:creator>
				<category><![CDATA[art and activism]]></category>
		<category><![CDATA[critical_perspectives]]></category>
		<category><![CDATA[Labor March]]></category>
		<category><![CDATA[Occupy Wall Street]]></category>
		<category><![CDATA[October 5th 2011]]></category>
		<category><![CDATA[toddler protest at Occupy Wall Street]]></category>

		<guid isPermaLink="false">http://www.ambriente.com/blog/?p=437</guid>
		<description><![CDATA[I&#8217;m in a group exhibition titled &#8220;Ecologías Correlativas&#8221; at 319 Scholes curated by chimera+. The exhibition is thematically inspired by Felix Guattari&#8217;s &#8220;Three Ecologies&#8221; and the curators asked me to write a brief statement in response to the essay for the exhibition&#8217;s catalog. The following is what I submitted. I live with a three-year-old boy [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m in a group exhibition titled <a href="http://319scholes.org/" title="319 Scholes" target="_blank">&#8220;Ecologías Correlativas&#8221; at 319 Scholes</a> curated by chimera+.  The exhibition is thematically inspired by Felix Guattari&#8217;s &#8220;Three Ecologies&#8221; and the curators asked me to write a brief statement in response to the essay for the exhibition&#8217;s catalog.  The following is what I submitted.</p>
<p>I live with a three-year-old boy named Iggy in a household that does not have a television.  Iggy has never seen a movie, and yet he recently demanded to be Lightning McQueen for Halloween.  Over the past year, he referred to Lightning McQueen and the characters from Disney&#8217;s &#8220;Cars&#8221; merely as &#8220;Halloween Cars&#8221;.  He did not know the names of the individual characters or that they were from a movie.  Iggy only knew that he had seen many young children dressed up as &#8220;Halloween Cars&#8221; last Halloween when he was two.  And since then he has observed toys, billboards, posters, books, magazines, lunch boxes, caps, t-shirts, backpacks, folders, bags, stickers, balloons, banners, flags presenting the image of Lightening McQueen or some other character from &#8220;Cars&#8221;.  And then he visited his cousins in Connecticut, two boys, ages three and five that live with a 36-inch television that presents hundreds of cable channels.  They regularly log extended periods of time in front of this television.  Since that visit, he knows the name Lightning McQueen and would like to know the names of other characters, particularly the tow truck.  He has developed a small obsession with &#8220;Cars&#8221;, a movie he has never seen.  From the moment of conception onward, we are all subject to the phantasmagoria of commodity capitalism.  It swirls all around us, captivates our imaginations, seduces our senses and consumes years of our lives.  At times it can be stimulating and good, but for the most part it is noise, bad noise, not the type of noise that takes you on a voyage, rather the type of noise that conjures ambivalence.</p>
<p>Currently, my partner and I are learning about schools for our son.  Iggy is two years from kindergarten, however New York City is over saturated with children, so a parent must inform oneself as early as possible.  There are not enough schools to properly serve kids and it is getting worse every year.  I have recently learned a very important term regarding schooling &#8211; &#8220;entry point&#8221;.  There are primary entry points to school &#8211; these are the years of a child&#8217;s life when there are the most seats available to gain entry into a school.  A primary entry point into public schools is Pre-K &#8211; age 4.  According to one friend younger siblings of kids already attending a given school largely take that entry point.  So the next large entry point, because a class or two are added is kindergarten at which point in the public school system Iggy is entitled to a seat in his school district.  Of course the problem then becomes overcrowded classrooms and poor learning environments, not to mention the goal to keep moving the kids along through examination and exam training.  </p>
<p>Besides the general public school system, there are charter schools and private schools.  Both charters and private schools proclaim small classes, individual attention and alternative methods to various degrees.  Private schools near my home range from $25k-$30k per year for pre-k through elementary school.  Charter schools are publicly financed but independently run and free to experiment in classrooms.  I believe that charter schools prosper through the financial and personal intervention of parents.  Generally, I do not believe that a low-income parent has the means to financially or personally intervene in a child&#8217;s school.  I may be mistaken, but I tend to consider charter schools as the privatization of the public school system.</p>
<p>To a large extent I agree with Guattari&#8217;s &#8220;Three Ecologies&#8221;.  Remarks against Integrated World Capitalism (IWC) resonate with me.  I agree that</p>
<blockquote><p>(Confronting IWC) will not come about through centralized reform, through laws, decrees and bureaucratic programs, but rather though the promotion of innovatory practices, the expansion of alternative experiences centered around a respect for singularity, and through the continuous production of an autonomizing subjectivity that can articulate itself appropriately in relation to the rest of society.</p></blockquote>
<p>However, I am left wondering how bourgeois must we become to afford our son a good education.  An education that will help provide the weapons to defend himself against the phantasmagoria of commodity capitalism through critical thinking and a nuanced perception of our society.</p>
<div class="wp-caption alignnone" style="width: 648px"><a href="http://www.ambriente.com/blog/images/2011/occupyWallStreet.jpg"><img alt="Occupy Wall Street, October 5th 2011" src="http://www.ambriente.com/blog/images/2011/occupyWallStreet.jpg" title="Occupy Wall Street, October 5th 2011, Labor March" width="638" height="960" /></a><p class="wp-caption-text">Occupy Wall Street, October 5th 2011, Labor March.  Iggy protesting on my shoulders.  Photographed by Valerie Tevere</p></div>
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		<title>Dev Harlan &#8211; &#8220;Parmenides I&#8221;, 2011 Documentation</title>
		<link>http://www.ambriente.com/blog/2011/10/09/dev-harlan-parmenides-i-2011-documentation/</link>
		<comments>http://www.ambriente.com/blog/2011/10/09/dev-harlan-parmenides-i-2011-documentation/#comments</comments>
		<pubDate>Mon, 10 Oct 2011 04:48:43 +0000</pubDate>
		<dc:creator>ricardo</dc:creator>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[fine_arts]]></category>

		<guid isPermaLink="false">http://www.ambriente.com/blog/?p=430</guid>
		<description><![CDATA[This is pretty cool! Dev Harlan &#8211; \&#8221;Parmenides I\&#8221;, 2011 Dev Harlan &#8211; &#8220;Parmenides I&#8221;, 2011 from Dev Harlan on Vimeo.]]></description>
			<content:encoded><![CDATA[<p>This is pretty cool! <a href="http://vimeo.com/30108920">Dev Harlan &#8211; \&#8221;Parmenides I\&#8221;, 2011</a><br />
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<p><a href="http://vimeo.com/30108920">Dev Harlan &#8211; &#8220;Parmenides I&#8221;, 2011</a> from <a href="http://vimeo.com/devharlan">Dev Harlan</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
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		<title>NYC Police in the Pockets of Chase?</title>
		<link>http://www.ambriente.com/blog/2011/10/02/nyc-police-in-the-pockets-of-chase/</link>
		<comments>http://www.ambriente.com/blog/2011/10/02/nyc-police-in-the-pockets-of-chase/#comments</comments>
		<pubDate>Mon, 03 Oct 2011 02:48:30 +0000</pubDate>
		<dc:creator>ricardo</dc:creator>
				<category><![CDATA[critical_perspectives]]></category>
		<category><![CDATA[chase]]></category>
		<category><![CDATA[chase bank]]></category>
		<category><![CDATA[nyc police]]></category>

		<guid isPermaLink="false">http://www.ambriente.com/blog/?p=425</guid>
		<description><![CDATA[We&#8217;ve built a country where the presidency must be paid for at excessive amounts, where lobbyists are simply part of the political fabric. Any sense of democracy is long gone. It is so explicit that Chase Bank basically announces that the NYC police will be working for them: Announcement of 4.6 Million Dollar donation to [...]]]></description>
			<content:encoded><![CDATA[<p>We&#8217;ve built a country where the presidency must be paid for at excessive amounts, where lobbyists are simply part of the political fabric.  Any sense of democracy is long gone.  It is so explicit that Chase Bank basically announces that the NYC police will be working for them: <a href="http://www.jpmorganchase.com/corporate/Home/article/ny-13.htm?TB_iframe=true&#038;height=485&#038;width=712" title="Chase gives $4.6 Million to NYC Police Foundation" target="_blank">Announcement of 4.6 Million Dollar donation to enhance security</a>.</p>
<blockquote><p>JPMorgan Chase recently donated an unprecedented $4.6 million to the New York City Police Foundation. The gift was the largest in the history of the foundation and will enable the New York City Police Department to strengthen security in the Big Apple. The money will pay for 1,000 new patrol car laptops, as well as security monitoring software in the NYPD&#8217;s main data center.<br />
New York City Police Commissioner Raymond Kelly sent CEO and Chairman Jamie Dimon a note expressing &#8220;profound gratitude&#8221; for the company&#8217;s donation.<br />
&#8220;These officers put their lives on the line every day to keep us safe,&#8221; Dimon said. &#8220;We&#8217;re incredibly proud to help them build this program and let them know how much we value their hard work.&#8221;</p></blockquote>
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		<title>TODAY 5:30PM ONE POLICE PLAZA &#8211; NYPD HEADQUARTERS PROTEST</title>
		<link>http://www.ambriente.com/blog/2011/09/30/today-530pm-one-police-plaza-nypd-headquarters-protest/</link>
		<comments>http://www.ambriente.com/blog/2011/09/30/today-530pm-one-police-plaza-nypd-headquarters-protest/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 13:39:20 +0000</pubDate>
		<dc:creator>ricardo</dc:creator>
				<category><![CDATA[art and activism]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Occupy Wall Street]]></category>
		<category><![CDATA[police violence]]></category>
		<category><![CDATA[protest]]></category>

		<guid isPermaLink="false">http://www.ambriente.com/blog/?p=420</guid>
		<description><![CDATA[Last Saturday, women contained within police orange netting were pepper sprayed. The women were entirely contained, did not present a danger to anyone, were not violent and were pepper sprayed. This can not be ignored &#8211; PROTEST TODAY AT 5:30PM ONE POLICE PLAZA]]></description>
			<content:encoded><![CDATA[<p>Last Saturday, women contained within police orange netting were pepper sprayed.  The women were entirely contained, did not present a danger to anyone, were not violent and were pepper sprayed.  This can not be ignored &#8211; PROTEST TODAY AT 5:30PM ONE POLICE PLAZA</p>
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