Archive for the ‘Video Art’ Category

Realidad VE

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Realidad VE

Realidad VE is a virtual reality experiment in combining documentary material with a virtual space

Realidad VE is a small experiment that attempts to combine documentary material with virtual space for VR presentation.

Last fall I had an extended interview with José Bergher a retired professor and classically trained musician from Venezuela who was the director of the Symphony Orchestra of Venezuela. Throughout his professional career he worked between New York City and Caracas and the reason behind the interview was to learn about that dual citizenry – about living between cultures and floating from one part of the world to the other. However as the interview progressed, I asked José about the current state of Venezuela – politically, economically and the common problems that people face day to day. He replied with a 20 minute discussion of the rise of Chavez and the current power-grab by Maduro and the lasting influence of Fidel Castro.

I knew that this discussion would not be appropriate for the project that I was working on, but I appreciate his first-hand perspective and given the last several weeks in Venezuela, I wanted to present his voice in a unique format. Entirely based on my news consumption of current protests, clashes and seemingly general instability in Venezuela, I created a blank world with the exception of dead trees and abandoned drilling rigs. The world is populated by men and women running across the space. A boy sits against a tree taking in the world around him. At another spot a young couple argues and elsewhere two friends are in discussion. Along the entire perimeter paramilitary troops stand guard and watch the space. At a couple spots trios of soldiers have friendly discussions. In this world, the military is at ease, though watchful whereas the people appear frantic.

I’m interested in combining documentary material such as the interview with José Bergher with virtual space and employing virtual reality as a platform for documentary. Jose’s discussion of current Venezuelan politics presented an opportunity for experimentation. Pictured above is the project for installation that features an animated José Bergher above the virtual space, the project is online with out Bergher’s video, only his voice accompanies the virtual space as the inclusion of video made an already long load time much longer.

FRANKLIN FURNACE @ 40

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Help the Franklin Furnace continue to make the world safe for Avant-Garde Art (the really weird shit that the NEA is afraid of). The Furnace has turned 40 and is now relocated in Pratt Institute, however, in order to re-grant money to artists that challenge the norms of our society, the Furnace needs financial help. Anyone can donate to the Furnace anytime, but at this time the Furnace is holding a benefit art sale and you can participate via Paddle8!

Exhibition, Friday-Saturday April 19-22, 10am-6pm
Reception and Live Auction of Five Works, Saturday April 22, 5-7pm
Metro Pictures, 519 West 24 th Street, New York, NY 10011

FRANKLIN FURNACE @ 40 Honorees
Yoko Ono, Artist
Thea Westreich Wagner & Ethan Wagner, Collectors
Marian Goodman, Gallerist

FRANKLIN FURNACE @ 40 offers for sale original art by:
John Ahearn, Eleanor Antin, Ida Applebroog, Judith Bernstein, Patty Chang, Nicolas Ceccaldi, CRASH, Kate Gilmore, Felix Gonzalez-Torres, Ann Hamilton, David Hammons/Clifford Owens, Mona Hatoum, Jenny Holzer, Joan Jonas, Barbara Kruger, Suzy Lake, Louise Lawler, Maggie Lee, Robert Longo, Ana Mendieta, Franco Mondini-Ruiz, Portia Munson, Lorraine O’Grady, Lady Pink, Pope.L, Ed Ruscha, Carolee Schneemann, Dread Scott, Michael Smith, Anton van Dalen, William Wegman, Lawrence Weiner, Martha Wilson, David Wojnarowicz, Martin Wong.

FRANKLIN FURNACE @ 40

FRANKLIN FURNACE @ 40

Trump Greatest President Ever!

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The 2017 Presidential Inauguration inspired this mashup:

Written by ricardo

January 22nd, 2017 at 7:25 am

Woman In Subway

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This is the latest animated loop inspired by traversing the city. Whether walking or on public transit, observations of urban life trigger visual ideas that are rendered as brief animations. Audio accompanying the animations are recordings from urban walks as well as interviews with NYC residents. The audio accompanying this animation is from a brief excerpt from an extended interview with my 86 year old neighbor Louise.

Go to rmz.nyc to see the entire series, click on the central image to go from one to the next. Through the combination of animation, WebGL, web video and audio as well as various javascript libraries such as p5.js and three.js, the browser is employed as a canvas.

On View at Cuchifritos Gallery

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Artist Antonia Pérez creates sculptures by weaving discarded plastic bags. She worked at the gallery during the exhibition.

This is the final weekend for the exhibition “Lettuce, Artichokes, Red Beets, Mangoes, Broccoli, Honey and Nutmeg: The Essex Street Market as Collaborator” at Cuchifritos Gallery located in the Essex Street Market. The exhibition curated by Nicolás Dumit Estévez Raful has been in the works for the past two years. The premise of the exhibition is for “six socially conscious artists to engage vendors, customers and the Market itself in their artistic processes as a means of co-generating experiences centered on the life that unfolds outside Cuchifritos Gallery, the art space of the Artist Alliance Inc”.

Ricardo Miranda Zuniga

“Recetas y Gangas: The Essex Street Market Recordings” with mock up of originally proposed installation of bullhorn on the facade of the market

So in preparation for the exhibition, the artists came together with Jodi Waynberg the Executive Director of Artist Alliance as well as Nicolas to begin considering how the artists might work with the market. Jodi toured the artists through the market and introduced them to various vendors as well as the building manager and staff. Nearly all the artists attended a Vendors Association Meeting to present their projects and solicit collaboration.

Ricardo Miranda Zuniga

“Refuse Redo” a collaboration between Mary Ting and Lower East Side Girls Club/La Tiendita – sculptures made from market cardboard.

As one may imagine, the vendors are small business owners and workers. The market is the place that they go to for employment, not necessarily for cultural engagement. Many of the vendors are entirely preoccupied with maintaining their business and were no nonsense about artistic participation. If the artists did not approach with a brief and concrete plan for collaboration, there was little chance of any cooperation. A few vendors were excited at the prospect of creative engagement and happily collaborated. However in general, the ambitious projects envisioned by the artists needed to be simplified.

Ricardo Miranda Zuniga

Scent and air time capsule of the Essex Street Market by Beatrice Glow.

Ricardo Miranda Zuniga

Market collection and journal by Inspector Collector Harley Spiller.


Laia Solé and Nicolás Dumit Estévez Raful employ the color green from the market to create a video montage that collapses the artists at work and the market at work.

For example, I wanted to create an audio montage of the vendors chanting or singing their goods and then to have that audio amplified onto the street via a bullhorn installed on the facade of the Essex Street Market. The concept was to have the interior of the market spill out onto the street as street markets commonly do in Latin America and Europe. Most of the vendors were not comfortable in singing their goods and the building management did not allow the installation of the bullhorn due to city ordinances regarding noise pollution (at least that was their excuse). When I was recording one of the vendors, a shopper approached me to tell me about recipes that she uses for a particular root. It then occurred to me that if vendors did not want to sing, perhaps they would share a recipe and the audio montage became primarily recordings of market recipes. As the piece would not be projected onto the street via a loudspeaker, I created a sandwich board with a speaker installed into it and wore the sandwich board on the street. In this way, the original concept of the piece was fully realized.

Each artist has her or his own story of how the work needed to be modified for the final exhibition. And in the end, this is the nature of collaboration.

Ricardo Miranda Zuniga

“Recetas y Gangas: The Essex Street Market Recordings” with mock up of originally proposed installation of bullhorn on the facade of the market

Stalin to Putin

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Stalin/Putin, Smith/Mugabe, Somoza/Ortega, Hirohito/Kim Il-sung, Idris/Gaddafi, Batista/Castro, GOP/Dems are ongoing portrait pairings of autocratic leaders that reflect a corruption of power. These illustrations have been created with the intention of animating a transformation from one face to the other as video loops. “Stalin to Putin” is the second animation of the series. “Somoza to Ortega” was completed quickly following the Sandinista’s last constitutional amendment that got rid of term limits, facilitating Ortega’s permanency as Nicaraguan president. I created the illustrations and my assistant Thomas Medina is the animator behind “Stalin to Putin”.

Morning Tequila, Nachos and Tacos

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Denver-based artist Tony Ortega shared recent videos montages incorporating a sequence of rotoscope animation that he created in a workshop that I taught last summer. The montages are so much fun that I felt the urge to share. The sequences are well selected and the timing is excellent, nice way to kick off a Tuesday morning!

Chicano Western from Tony Ortega on Vimeo.

Puro Party from Tony Ortega on Vimeo.

Tony states:

I created the art video Puro Party to explore my interest in identity and hybridity. I am using a variety of I pad apps, rotoscoping animation, appropriated gifs and appropriated music. In creating these videos, I am using grids to organize the composition and I incorporate pattern and repetition. In my creative process I use distortion and exaggeration for emotional effect. My work interweaves, juxtaposes unlikely images from American, Mexican and Chicano cultures that include icons, symbols, history, humor and the contemporary world to foster opportunities for the bending of meaning.

Written by ricardo

January 26th, 2016 at 7:08 am

Mary Reid Kelley’s “The Thong of Dionysus”

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Mary Reid Kelley – "On Embarrassment" from Hammer Museum on Vimeo.

Last week I encountered Mary Reid Kelley’s new video at Frederick & Freiser Gallery in Chelsea and it is great! Upon walking in, I was about to walk out, because the video uses poetic verse which I generally do not want to listen to. However, the visuals, the costumes and makeup, the embedded videos and the use of Greek mythology are so quirky that I stuck around and I’m glad that I did. The artist takes the role of Dionysus and has fun with gender role reversal while celebrating sexual appetite and I’m certain there is more to the piece. The entire video is available on Mary Reid Kelley’s site.

Written by ricardo

October 26th, 2015 at 6:04 pm

Transitio_MX 06 Cambios Compartidos Opens 9/25

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This year’s installation of Mexico City’s Festival of Electronic Arts and Video Transitio_MX 06 is titled “Cambios Compartidos” (“Shared Changes”) and opens Friday September 25th and runs through October 4th at the National Center of the Arts. “a geography of being : una geografia de ser” will be on view and the game is available to play online.

Transitio_MX 06

audiophile at RedLine’s “Press Play” Exhibition

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audiophile (2001)

audiophile (2001) The software presents remixes of the sounds of the city, from Managua, Nicaragua to Mexico City to Manhattan

My 2001 net.art project “audiophile” is on view as part of the exhibition titled “Press Play” curated by Ruth Bruno and Cortney Lane Stell. “Press Play” is collaboratively produced between RedLine and Denver Arts & Venues. The exhibition is on view at McNichols Civic Center Building 144 West Colfax (corner of West Colfax and Bannock) from March 21st through June 28th.

Curators Stell and Bruno describe the conceptual premise of the “Press Play”:

“Rules of games, like those found in video games, imply ethical models or boundaries to be kept within in daily societal interactions and experiences. These parameters often structure our actions, perspectives, and worldviews. The artists in Press Play use these normative tools as structure, starting points, or forces to push against in their work. While some artworks explore conventional modes of structured play, other works use ruled play systems in order to subvert these conventional models of participation and competition.”

Participating Artists: Mark Amerika, Molly Bounds, Brody Condon, Milton Croissant III, Humberto Duque, Joseph Farbrook, Miltos Manetas, Eva and Franco Mattes, Alex Myers, Chad Person, and Ricardo Miranda Zúñiga.