Archive for the ‘social_media’ Category
Our clicks appear to be worth money not merely to the mad-men of today, but to the digital overloads that increasingly control the internet. Due to Google popularity and value, it has gained a great deal of control over the surface layers of the internet and in doing so has gained control over a portion of human consciousness. Human consciousness that is very valuable… It can be manipulated and monetized. As with all media, the messages that you see and hear are dictated by the ownership. Once it was thought that no one owned the internet or the web, that it was a free and open space for discourse and exchange. This has not been true for sometime; it really was never true, but early on it was at least less monitored and shaped.
The browser add-on AdNauseam is “designed to obfuscate browsing data and protect users from tracking by advertising networks. At the same time, AdNauseam serves as a means of amplifying users’ discontent with advertising networks that disregard privacy and facilitate bulk surveillance agendas.” We should not be tracked unless we have agreed to be tracked and not in small print.
With a verified paid circulation of 404,5731, you would think that New York Magazine would offer a small honorarium to immigrants who are photographed for the magazine.
The bi-weekly New York Magazine is a limited liability company (LLC) with a cover price of $5.99 and an annual subscription cost ranging from $25 to $29.97. In September 2014, New York had the biggest growth for online traffic in the company’s history with 27 million monthly unique visitors across it’s web properties (NYmag.com, Vulture, the Cut, Grub Street and Science of Us)2. The magazine has claimed that it’s newsstand business remains highly profitable3 and yet it expects immigrants to be photographed and featured in the magazine to voluntarily offer 2 hours of their time.
Last week I received the following call via an email list that I’m on:
Boom Production Casting Call – New York Magazine
What: Looking for New York immigrants from ALL walks of life— this can include babies, infants, grandparents, mothers, daughters, sons, everyone. From diverse neighborhoods and ethnic communities all over the 5 boroughs. Immigration Status doesn’t matter!!! Only requirement you must be born in another country and live here in NY. Feel free to pass this along to a friend of family member.
When: Shoot dates – Monday Nov 28th and Tuesday Nov 29th in New York City (Requires a minimum of 2 hours of availability)
About the Photographer: Platon (Has photographed, Barack Obama, Vladimir Putin, Woody Allen, Adele and Alicia Keys to name a few)
I then emailed the contact for the call asking how much does the two hour photo shoot pay. I got the following response:
This is a journalistic project therefore theres no rate for it.
So then I replied – am I to understand that the photo shoot, feeds NY Magazine content that is sold to buyers and subscribers and will help promote Platon’s career, whom I assume is paid for taking the photographs, but the subjects get nothing for their time? If so, it seems as if the magazine and photographer are taking advantage of immigrants based partly on the current political environment in this country.
And to this email, I received the following response:
This is a voluntary participation,
This content is to fulfill an article being written about the amazing citizens of NY who migrated here from somewhere…
Amazing citizens whose portraits will help sell the magazine and yet not even a small honorarium for their time. I am a CUNY professor with a lousy salary for New York City and when I work with immigrants on an art project, I always put aside an honorarium for their time. In a latest project, I budgeted $120/hour for 10 interviewees. I have a tiny budget and no expectation of a profit on an artistic project, yet, I respect the people who work with me and their time hence I offer an honorarium. It’s unbelievable that a successful magazine can not do the same.
Artist and IMA MFA candidate Grayson Earle has just launched the NSA Haiku Generator. Set against a GIF-style rainbow sky background is a haiku composed of NSA watch words. The use of any of these 845 words or character combinations over internet communications can land one on the NSA’s terrorist watch list. Grayson Earle edited the list down to some 300 terms to construct haikus that poke fun at what seems like a ridiculously sweeping effort to construct a flawed terrorist watch list. As the artist states:
This web app uses the NSA’s database of terms which can land you as a suspected terrorist if you use them in electronic communication. Rather than being all ‘doom and gloom,’ I decided to make a game out of it. I’ve assigned each phrase a syllable count which enables you to create random haikus out of hundreds of words.
Click the haiku text to generate new haikus and then share them over various social media, to make the NSA list even more pointless.
The information page to the site also presents links to organizations that are taken a serious stance against the NSA monitoring of our electronic communications:
Fight For The Future
Electronic Frontier Foundation
Stop Watching.Us and the October 26th Rally in DC
I recently re-visited this very important mockumentary from 1978 and need to make a note of it. “Agarrando Pueblo (aka The Vampires of Poverty)” was shot in Cali, Colombia, 1978 and is a satiric mockumentary critiquing the popularity of documentaries capturing Latin American poverty in the 1970s. Mayolo and Ospina coined the term “pornomiseria” or “pornography of misery” in reference to the objectification of poverty in Latin America for Eurocentric audiences.
The director and cameraman move quickly around the city requesting a taxi driver to take them to spots where they can capture poor children, crazy people and whores. The directors have a recipe of necessary vignettes to compose the documentary. When pedestrians confront the film makers they dismissively tell them that it’s to inform the world or that they don’t understand what this film is about. At one point the director is filmed some cocaine in his hotel bathroom between shots.
I just watched Star Trek Into Darkness and I’m sooo angry. It was boring and everything antithetical to the Trekkie code and I’ve never been a Trekkie, but I do respect them for their pseudoscience. J.J. Abrams is boring, has no imagination and should have never been hired to do this. It was nothing more than a chatty action flick. It lacked any sense of mystery. It’s like NASA reduced to out of atmosphere trips for the very rich.
Worst of all it’s a Khan redo. And even worse Ricardo Montalban isn’t around to do a decent Khan, instead we get the very pale and boring Benedict Cumberbatch, whom I don’t understand why he’s hired to be a scary villain when he lacks any consequence. He’s boring and like Abrams, has no depth. It’s shallow bullshit and for most Hollywood flick, it’s expected, but this is Star Trek and it’s sad, upsetting.
The 80’s movies are so much more interesting. The 60’s was farther ahead of time, this current movie extracts all the innovative qualities of the TV series and the following movies. Whatever you do, don’t waste your money on this movie. It lacks imagination.
A Macaulay College student, Tyler Alterman that once took a class of mine (Intro to 2D Animation) is working on his senior project – a cognitive science lab in a truck. Watch the video, it’s the type of project that I can’t help but to support due to it’s good energy and idealism. It would be great to see an ice cream type truck with a giant brain buzzing around New York City!
Biomodd by Belgian artist Angelo Vermeulen, launches in Queens at Immigrant Movement International (IMI) from 11A-1P to begin a 6 month experiment in pop-up horticulture. The piece is part of NY Hall of Science, Regeneration exhibition that will open October 17th, 2012. Below is artist Angelo Vermeulen explaining Biomodd at TED Talk 2010
The art center, El Matadero in Madrid, Spain inaugurated its latest project – El Ranchito last Thursday, December 15, 2011. El Matadero is dedicated to contemporary art practices and El Ranchito is a gigantic space (Nave 16) within El Matadero that is dedicated to artistic research, process and social engagement. Brooke and I collaborated with two artists in Madrid to begin a long-term project titled EXCEDENTES/EXCESS that revolves around food waste in our cities. Below are images from the final night of preparation for the opening and photos from the media tour on the morning of the opening as well as an image from the opening.
André Komatsu employed largely discarded construction materials around El Matadero to create “Landscapeknowhere – Timeout”. I enjoyed getting to now André Komatsu, however, I found his installation to be very formal, not particularly interesting and not in line with the mission of El Ranchito – research oriented and engaged with social practice.
Inteligencia Colectiva bases its practice in traveling the world to discover, document and adopt alternative means of construction. Their mission is to create a public archive of alternative modes of construction. As part of their residency, they constructed the future administrative space in El Ranchito that will be self-sustaining through a bicycle generator located at the top of the office tower.
Aesthetically one of my favorite installations or series of works is by the collective Todo para la praxis. Of all the resident artists, this group has been perhaps the busiest at designing and constructing. They have created a series of practical sculptures designed for public use. Amongst the constructions are a mobile street kitchen, a dining space, a mobile boom box, an info center. They continue building new things through workshops that they lead. Soon a children’s table and workspace will be introduced.
“EXCEDENTES/EXCESS” is a collaborative project between RICARDO MIRANDA Zuniga Y BROOKE SINGER (NUEVA YORK), JOSE LUIS BONGORE, BEATRIZ MARCOS Y SISSA VERDE and was selected as part of the public call for El Ranchito. The project revolves around the large amounts of food going to the dump when there are plenty of people hungry in the cities of New York and Madrid. In NYC the focus has been research and we hope to construct a “composting bicycle” in 2012. In Madrid, the realization of the food rescue and redistribution cart (pictured last in screen documentation) has lead the Madrid group to researching the possibility of establishing a law that would facilitate the collection and redistribution of discarded food that is safe to consume. A law similar to the Good Samaritan Law in the United States, signed by President Clinton.
Bill de Blasio believes that the government can decide what is viable free speech and what is not. de Blasio feels that he knows what messages may be censored and which may be allowed to remain in the public space. A couple years ago de Blasio demanded the removal of anti-abortion billboard and stated the following “There should never be a law prohibiting this sort of sign, Mr. de Blasio said, ‘but to have a serious debate, to have people express their outrage, and then to have a private owner of the advertising space decide that it was ultimately not appropriate, that to me is a functioning democracy.'” Read the NYTimes article.
Today the UN Assembly gathers in NYC and I comfortably sit in my office at 68th and Lexington after dodging through stand still traffic while police vehicles weaved through… all for a series of limos with international flags. If you’ve got a limo, get a flag… traffic will part for you. In preparation for the UN members’ visit Two Peoples One Future paid for posters throughout the subway system presenting Israelis and Palestinians beneath these words: “Be on our side — we are on the side of peace and justice.” Local politicians protested and now the posters are down. Just as who paid for the advertisements is public knowledge, the names of the people who demanded that freedom of speech be censored should be public knowledge. Read NYTimes article.
One of the grads, Alex Mallis, in Hunter’s Integrated Media Arts (IMA) program is seeking funding for a film capturing a group of people who feed off discarded food. Support the film via it’s Kickstarter campaign.
“An aging artist, his young assistant, and blind friend arrive by rusted retro car; a Puerto Rican woman and her teenage grandson embark on foot, lead by a rattling grocery cart; a hyperactive twenty-something and his stoned companion leave a Bushwick loft to navigate the subway. Familiar faces and converging philosophies meet to take what others deem unworthy of consumption. The reward of a free and delicious discovery activates a ritual adventure – a night of extraordinary harvest.”
– Alex Mallis, Excerpt from film description on Kickstarter