Archive for July, 2018

Northeast Exhibitions Editor for caa.reviews

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Over the past year, I have been working as the Northeast Exhibitions Editor for caa.reviews and thus far it’s been a great experience! Fortunately, my job is relatively easy or perhaps better stated fun. I search out exhibitions that deserve to be reviewed throughout the Northeast (but not including NYC). As I find, important exhibitions, I then need to identify potential reviewers. I had heard that commissioning non-paid reviews from people was difficult, but thus far, I’ve been able to quickly find writers or have people even volunteer reviews for exhibitions that they felt passionate about.

Once the writer and I agree on a deadline, we bounce the review back to one another to arrive at the final product. It has been a great learning experience to envision exhibitions that I have not visited myself through the writing of the reviewer. And as editor to work with the reviewer to create a clear sense of the exhibition and its power for readers who may as well not have the opportunity to see the exhibition first hand.

Thus far, I have had the pleasure to work with the following writers:

Valeria Federici on “Art in the Age of the Internet, 1989 to Today” at the ICA Boston.

Christopher Kasprzak who reviewed “Calder: Hypermobility,” at the Whitney Museum of American Art.

Ellen Handy who wrote an excellent review on “Clarence H. White and His World: The Art and Craft of Photography, 1895–1925” at Princeton University Art Museum.

John Muse on “Yoonmi Nam: Still” at Philadelphia’s Print Center.

There is more coming soon!

Trump Chases Out Kids

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Following travel, Iggy had a week off from summer camps, so we got to enjoy the week together. I proposed that we make an animation. He was game. I gave him a drawing pad, showed him Richard Williams’s The Animator’s Survival Kit and he started drawing. After a few minutes, I look over at the drawing pad and say “That looks like Trump! Are you drawing Trump?” Iggy: “Yes, a naked Trump. Lets make an animation of naked Trump chasing immigrants…”

Over the following few days, Iggy drew each of the characters: Trump, a female immigrant, a male immigrant and lastly decided to add ICE police. Iggy was firm on having the ICE police shuffle along. He drew each of the steps of the run cycles for each of the characters and I did the coloring. With the art work done, I took over setting up the timeline with tweens and finding various backgrounds to reflect the United States. Iggy made the call on the background sequencing.

I had two audio clips of Trump flip flopping on treatment of undocumented kids to give the animation a soundtrack. Lastly, I found a sound clip of Homer taking a fall which seemed like a fitting culmination.

Written by ricardo

July 22nd, 2018 at 9:20 am