Archive for November, 2007
I found this response / comment to the 1717 Troutman resident vacate entry so insightful that I wanted to pull it out of the comments area and post it as an entry.
November 20th, 2007 at 4:22 pm
This is a difficult situation; I am an artist, live in the area and am familiar with the problem. I understand the â€œlogicâ€? of eviction from an unsafe building; no one wants to be responsible for a building full of people going up in flames with no fire escapes or sprinklers.
But, this is not a problem in any other city I have ever been in, there are warehouses full of artists in almost every other major city in this country and the cities are, on the whole, happy to have them there. It is understood that conditions may be a little sub-standard, but â€œrent at your own riskâ€? seems to be the more common city stance.
Not in New York. In New York, I think, there is bitterness about rent and a vicious contempt between the â€œhavesâ€? and the â€œhave-notsâ€?. That is, those who own property (or rent significantly below the market rate) and those who are slaves to the financial-commercial monster of this city to be able to afford the absurd market rate rents. This has created (i) dumb and arrogant city agencies intent on over-managing the housing market and (ii) rapacious, unscrupulous landlords who are nonetheless feckless property owners. Anyone perceived to be â€œgetting away withâ€? renting on the cheap are not tolerated by either the city agencies or the landlords.
The real losers in this battle are the artists.
There is ABSOLUTELY NO awareness of the problem facing working artists in this city by the city itself or its agencies. (Disclaimer: my â€œday jobâ€? is at one of these city agencies). OK, landlords are scummy and will always be scummy, I accept that, but the stance of the city here, which should be protecting artists instead of always working against them is ridiculous. Many city officials who pride themselves on being representatives of a â€œcultural capitalâ€? still advocate policies that would turn the whole city into a luxury condo wasteland, populated by hordes of insipid, bland, Sims-like financial sector employees.
When one does find awareness of â€œartistsâ€? by the city, they are either expendable gentrifiers or (sorry if I offend anyone here) art-related professionals, like web designers, marketing and advertising people, company (not freelance) graphic designers, etc. These people are not studio artists. Studio artists need work space. It would also be nice to have a place to live.
Live-work space combos are not just some screw-off kids trying to get away without paying residential rents, live-work spaces are a sad necessity for most artists here, who on the whole would much rather have separate studios and apartments and who even when they are selling their work are in a constant struggle for rent, not to mention health care, basic living expenses and so on.
The problem is that no one sees the problem of artists. If the city would start viewing artists as small manufacturers (which they most certainly are), then the city could start to offer benefits to artists and to those who provide the artists with stable, affordable work space. There are a myriad of industrial benefits offered by various city agencies of which currently most artists enjoy none.
I sympathize with the unfortunate former tenants of 1717 Troutman. But for some time now, droves of artists have been leaving the myth of a New York bohemia behind and moving to other cities where they are wanted (Berlin for example) and where they can afford to live and sell their work. The writing is on the walls. In less than 10 years, if things donâ€™t change, New York will not be the â€œworld cultural capitalâ€? for contemporary studio-based art that it is so often advertised as in brochures for luxury condos and in incentive packages for mega-financial institutions.
I’ve added character descriptions for the characters featured in the animation “Arbol Torcido”. I’m also hoping that people wishing to do something interesting with these characters will contact me, so that I might send them the Illustrator files for these characters. I may not be able to do anything with them any time soon, so perhaps someone can use them. Although the animation features popular television super heroes, El Chapulin Colorado and Ultraman, I created other characters such as “Terrorista”.
Terrorista is a child of dark complexion carrying a head of two faces and arms without hands, walking naked with dynamite strapped to his body. The United States has been at the helm of establishing a fractured world. In the 20th Century, the United States global ascendence began with uncertain pride that transformed into self-rightousness and ended in gluttony. Terrorista is a reflection of that which we have wrought upon sectors of our globe – poverty with little recourse. Above are also “Labor” and “Man of War”.
An old friend from undergrad, Lara Miranda, has been re-creating biblical stories for film and they are crazy – violent, fanciful, and wicked – an excellent literal portrayal of the Bible.
Thus farÂ 2 Kings 2:23 of “True Stories from the Bible” is the only passage available on YouTube from Dawn Burns Films.Â I briefly spoke with Lara nearly a year ago and I remember her telling me that she was filming donkeys.Â There are no donkeys in 2 Kings 2:23, so I imagine that she’s got more films in the works.
Meanwhile the literal interpretation of 2 Kings 2:23-24 (I copied the King James Version below) is a throw back of 60’s and 70’s low budget Biblical films.Â It reminds me of the sort of films I would see in Catholic school as a child.Â This moment in time, seems like an incredibly appropriate period to revisit this film genre, as these films portray the inherent violence of the Bible at a time of war and conflict in the “Holy Land”.
2 Kings 2:23-24 (the King James Version)
23And he went up from thence unto Bethel: and as he was going up by the way, there came forth little children out of the city, and mocked him, and said unto him, Go up, thou bald head; go up, thou bald head.
24And he turned back, and looked on them, and cursed them in the name of the LORD. And there came forth two she bears out of the wood, and tare forty and two children of them.